Dark Shadows
January 1970



    January 1, 1970 Thursday - New Year's Day.  No show aired. (ABC #4-DRK-70)
=============================================================================
    Episode 918
    Worldvision Rerun 694
    Tape Date:  December 9, 1969 (ABC #5-DRK-70)
    Air Date:   January 2, 1970 Friday
    Writer:     Violet Welles
    Director:   Henry Kaplan

       At Collinwood, David reminds Elizabeth that it's still her duty to
    take care of Julia and asks her if she has any plans for doing this.
    Elizabeth replies that she has, that she plans to kill Julia.
       Julia is in the drawing room reading a newspaper. She searches for
    any mention of an attack or killing that looks like it could have been
    committed by a werewolf, but finds none. She closes the drawing room
    doors, telephones Olivia and asks her if Grant has returned. Olivia
    replies that she doesn't know. She tells Julia she'll go check his room
    and call back.
       Outside the drawing room doors,  Elizabeth checks a gun she has in a
    bag and puts it back in the bag.  She prepares to go in and kill Julia,
    but the phone rings and she waits. Julia answers the phone. It is Olivia.
    She tells Julia that Grant has not returned yet.  When Julia hangs up,
    Elizabeth comes in. They talk for a while. When Julia's back is turned
    toward her, Elizabeth takes the gun out of the bag and aims it at her.
    But when she tries to pull the trigger, she finds herself unable to go
    through with it and puts the gun back into the bag.  When Julia turns
    around, she sees that Elizabeth has a funny expression and asks what's
    wrong. Elizabeth replies that she's just remembered she has something she
    has to do and leaves.
       Elizabeth tells David that she just couldn't go through with it, that
    she has so many memories of how Julia helped them she couldn't bring
    herself to kill her.  David tells her that the book will tell them how
    to overcome this.
       Chris comes to Collinwood and tells Julia he can't stand this any
    longer and will go to Charles Delaware Tate and try to get him to help.
    Julia tells him about Grant disappearing last night.  Chris despairs
    that if Grant is indeed Quentin and had turned into a werewolf, then
    he isn't cured either, and Jenny's claim that he could be of help was
    wrong...
       Grant returns to the Collinsport Inn and goes to Olivia's room but
    finds no one there.  He helps himself to some drinks.  His clothes are
    in tatters.
       Elizabeth and David consult the book.  David finds what he thinks is
    the reason Elizabeth could not kill Julia.  The passage states that one
    of the Leviathan people cannot kill a regular person, that it would be
    dangerous because that would cause the spirit of the person to stay to
    battle the Leviathan people, that a normal person must be killed by a
    normal person. Elizabeth doubts this, saying she is certain that it was
    her fond memories of Julia that prevented her from killing her, but
    David insists that the book is always right.
       Julia goes to Olivia's room at the Inn and finds Grant there. She asks
    him where he was last night.  Slightly drunk, he angrily tells her he is
    not an animal and she is not his keeper, that he doesn't have to tell her
    where he is at all times.  Thinking that he is upset because he did turn
    into a werewolf, she tries to console him by telling him "it's not your
    fault." Grant, puzzled, replies that it was his fault, that he didn't
    have to hit the guy.  Julia asks him what he means.  Grant tells her he
    went to the "High Hat Lounge" in Portland last night to see if he could
    find out anything about himself and got into a fight there.  (Recall that
    when he was found, Grant had a matchbook for the lounge there).  Julia
    asks him what he learned. Grant replies that he found that he was a very
    private person and that no one seemed to know anything about him, but
    says that someone recognized the locker key (also in his pockets when
    found)  and told him where the lockers were. He goes on to say that when
    he opened the locker he found out something about the "Fred Thorn" he had
    mentioned while under hypnosis.  He gives Julia a manila envelope, saying
    it was in the locker.  In it are a variety of papers, mostly ID and stuff
    belonging to Fred Thorn. But also included is a picture of Olivia Corey
    clipped from a newspaper.
      Julia is in the drawing room at Collinwood. Chris is there too.
    Julia finishes a telephone call and tells Chris that the "High Hat
    Lounge" confirms that Grant was there last night and got into a fight.
      Chris goes to Grant and tells him that he wants him to go with him
    to see Charles Delaware Tate.  Grant asks why.  Chris tells him that
    Tate is a recluse and refuses to see anyone, but might if he, Grant is
    there. Grant asks why that should be the case since Tate doesn't know
    him.  Chris replies, "Yes, but he knew Quentin..".  Grant tells him he's
    sick of so many people thinking he's Quentin.  Chris tells him it doens't
    matter whether he believes he's Quentin or not, all he has to do is
    pretend he is.  Grant agrees.
       David tells Elizabeth that he's got to go and tell Barnabas what
    happened regarding Julia.
       Chris and Grant go to Tate's house. The voice on the loudspeaker
    tells Chris he doesn't want to see him.  Then Grant says, "Well, how
    about me, Quentin Collins ?". The door opens they go in. The voice
    directs them to the room.  Inside,  Tate tells Grant he is lying,
    that he isn't Quentin.  Grant asks him why he thinks this.  Tate
    replies that it's because he's so young.  Grant replies that he,
    Tate is also still young.  Tate laughs and replies that that's because
    he is a talented artist.  He then seems to remember something and tells
    Grant he believes he IS Quentin, then lambastes him for stealing
    Amanda Harris from him.  He says something that upsets Grant. Grant
    picks up something and hurls it at Tate, knocking him off the chair.
    Grant leaves angrily.  Chris goes to where Tate is lying and is surprised
    to see that the head has separated from the body. It is some kind of
    dummy...
==============================================================================
    Episode 919/20/21
    Worldvision Rerun 695
    Tape Date:  December 10, 1969 (ABC #6-DRK-70)
    Air Date:   January 5, 1970 Monday
    Writer:     Violet Welles
    Director:   Lela Swift

       Chris, realizing that whoever was speaking must be hiding somewhere,
    starts to search the room for him.  He hears a whimpering noise coming
    from behind some curtains behind the desk, pulls them apart and finds
    a very old man hiding behind them and pulls him out.  The old man is
    distraught over the destruction of the dummy, which he refers to as his
    'creation'. He demands that Chris leave, threatenting to sic his dogs on
    him if he doesn't.  Chris refuses.  He notices Tate creeping toward what
    looks like and intercom on the wall and remarking, "What's that for?
    To call for help? To call for your dogs? ", and rips the wire
    connecting the intercom. Chris tells Tate he's not leaving until he
    gives him what he wants. Tate tells Chris he has much money and jewels
    and tells him he'll give him anything he wants if he'll leave.  Chris
    tells him it's not money or jewels that he wants.  Tate asks what he
    wants.  Chris replies that he wants him to paint a portrait of him,
    that he knows how he had painted one of Quentin and cured him of the
    werewolf curse.  Tate gasps "Then you're a werewolf!". Chris tells
    him he is.  Tate tells him it was a long time ago when he painted
    Quentin's portrait, that he had a power then that he no longer has,
    but Chris will not believe him. He forces Tate to give him the key to
    the room and locks the door, telling him they're both going to stay
    in the room until he's painted a portrait of him. Tate looks at his
    'creation' again, becomes distraught, and refuses.  Chris tells him
    he'd better, because there's going to be a full moon tonight...
       At the antique shop, Carolyn is busy working when someone comes
    up to her from behind and playfully covers her eyes with his hands.
    Carolyn laughs and says "Alexander! Stop! I've got work to do".
    But the person takes his hands off and says "Alexander's gone. I'm
    Michael!".  Carolyn is puzzled.  Michael explains that he's a cousin
    of the Todds, that his parents have just been killed in an accident and
    he has come to live here, that the Todds had to send Alexander home
    because they were too busy to take care of two kids at once. Carolyn
    give him her condolences about his parents, but Michael replies
    "Everything's OK because you're here".  Carolyn, seeing he has a
    crush on her, laughs. Michael becomes upset at this, saying he hates
    being treated like a little kid.  Carolyn calms him down by telling
    him to go sort a stack of magazines in chronological order, saying
    that that proves she doesn't think of him as a little kid since it's
    not the sort of job one would give to a little kid.  Michael goes and
    sorts the magazines.  Underneath the pile, he finds Megan's Naga locket.
    He gives it to Carolyn, saying it's a gift.  Carolyn notes that it's
    Megan's locket, implying that he stole it.  Michael claims that Megan
    gave it to him.  Philip comes down the stairs. He argues with Michael
    about the locket.  Carolyn tries to calm them down by inviting them to
    go out with her for some ice cream sodas, but Philip and Michael just
    continue to glare at each other...
       Grant, in the wood, runs away from Tate's house.
       At Tate's house, Tate is painting as fast as he can, racing the
    sunset and the full moon...
       At the shop,  Carolyn excuses herself and leaves, saying she has
    something she has to go and do.  Philip tells Michael that Carolyn
    left because his continuous staring at her unnerved her, and tells him
    it's not time yet and asks him to take things slowly.  Michael tells
    Philip he doesn't like the way he's talking to him, that he has no right
    to reprimand him like that.  Philip replies that he does as long as he's
    still a child.  Michael ominously retorts, "But I won't be a child
    forever.."
       In the woods, Grant feels himself mysteriously compelled to return
    to Tate's house.
       At Tate's house,  Tate finishes the painting and tells Chris to
    take it and leave. But Chris grabs his abdomen in pain and falls writhing
    to the floor.  Tate tries to get the key from Chris but cannot because
    Chris' arms are wrapped around his body because of the pain.  Chris
    turns into a werewolf...
       Grant arrives at the door of Tate's cottage. He hears a blood-curdlning
    scream.
===============================================================================
    Episode 922
    Worldvision Rerun 696
    Tape Date:  December 12, 1969 (ABC #7-DRK-70)
    Air Date:   January 6, 1970 Tuesday
    Writer:     Violet Welles
    Director:   Lela Swift

      Grant goes into the house. He finds the door to the room locked and
    breaks it down.  Inside he sees a badly wounded old man lying on the
    floor. He goes to the old man and finds that he is still alive. He
    hears a growling sound and turns to see what's causing it.  He sees
    the werewolf standing in the corner. The werewolf attacks him.  Grant
    runs.  The werewolf chases him around the room.  Grant grabs a
    heavy metal sculpture from a table to defend himself with, but suddenly
    puts it down and picks up a small silver candlestick instead. The
    wolf, seeing this, runs off.  Grant is surprised.
       Julia, in Olivia's room, confronts her with the handwriting samples,
    informing her that an expert has said that they were identical, that
    they prove that she is indeed Amanda Harris.  Olivia replies that that's
    ridiculous and explains that the resemblance in handwriting can be
    explained by the fact that it was her grandmother who taught her to
    write. Julia gets a phone call from Grant telling her to come to Tate's
    cottage because a medical emergency has occurred.
      Julia and Olivia go to the cottage.  Grant, telling Olivia to stay
    where she is, takes Julia into a bedroom where he has placed the old
    man.  Julia examines him briefly, then asks him where Quentin's portrait
    is.  Tate again tells her it was destroyed.  Julia tells her she knows
    that that's not true because Quentin didn't turn into a werewolf.  Tate
    tells her that he'll tell her if she gives him the one thing he wants -
    life.  Julia tells him that his injuries are too severe and there's
    nothing she can do.  He replies that if that's the case, he can't give
    her what she wants either.  Julia tells him there's something else he
    wants that she can give him and asks Olivia to come into the room. She
    does. Tate gasps "Amanda!", then dies.  Olivia starts to cry. Julia
    remarks that this proves that she is Amanda, that if she were not,
    she wouldn't be crying at the death of a man she has never met.  Olivia
    weakly replies that she's just crying because he painted so many pictures
    of her grandmother and runs out of the house, visibly upset.  Julia tells
    Grant to call the police.
       In the woods, the werewolf jumps off a rock starts to attack Amanda,
    but suddenly stops and runs off without harming her...
       Grant recounts to Julia what happened.  He tells her about the strange
    incident where he picked up a heavy metal sculpture to defend himself
    with but for some reason he cannot explain put it down and picked up
    a silver candlestick instead, and puzzling fact that the animal ran
    off.  Julia tells her it's not so strange, that silver is the one thing
    a werewolf is afraid of, that although he might not consciously know this,
    deep inside he knows because he's really Quentin... Grant remarks that
    Chris is lucky to have apparently escaped.  Julia, not wanting to tell
    him that Chris is the werewolf, agrees...
       Amanda, still distraught, goes to her room. Holding a locket, she
    says aloud, "Oh Quentin, Tate recognized me, why don't you ?  Time is
    running out..."..  She hears a noise and turns and sees that Julia is
    in the room and has heard her.  Julia walks up to her and grabs the
    locket and finds the inscription "To A.H. from Q.C." and says "So you
    are Amanda Harris."  Amanda admits that she is.  Julia asks her what
    she's doing here and how she managed to stay young. Amanda explains,
    saying it started when Quentin told her in her hotel room that he
    was leaving forever, that she followed him to ask why and beg him
    not to. We get a flashback. In the flashback, Amanda and Quentin are
    standing on a bridge.  Quentin explains to Amanda that he cannot be with
    her until he finds the portrait and knows that it's safe. She tells him
    that doesn't mean they have to be apart forever, that he can come back to
    her after he finds it.  He tells him it might take him 20 years to find
    it or more.  She tells him it won't matter that they're both older, that
    they'll both still love each other.  He tells her that SHE'LL be 20 years
    older but he'll still be the same age, and that's why he has to leave
    forever.  He leaves.  Amanda starts to cry.  A man walks up to her and,
    identifying himself as 'Mr. Best', tries to console her, but she suddenly
    leaps off the bridge.
       Amanda explains to Julia that the bridge was a 'popular' suicide spot,
    that it was known as 'Dead Man's Leap' and that no one had ever survived
    jumping from it.  Amanda explains that the last thing she remembers is
    hitting the cold, cold water, then awakening to find herself in what
    looked like some sort of hotel lobby.  She tells Julia that though she
    could see no one, there seemed to be the sound of voices and people
    moving about.  Suddenly, the man from the bridge appears. Amanda asks
    him what this place is and what they're doing here.  The man explains
    that it's a sort of stopping off place, and that the sounds she hears
    are the memories of people who have been here.  He tells her she
    doesn't belong here, that she was destined to have a long, long life,
    that's why he tried to stop her at the bridge.  She tells him she didn't
    want to live any longer and explains why.  He tells her he'll do
    something for her: that he'll send her back, that she'll live until the
    day on which she was destined to die without becoming old, that if she can
    find Quentin within that time and convince him to stay with her, they'll
    both live forever without aging.  Amanda asks the man who he is, how he
    knows how long she will live and how he can do this for her, but he
    refuses to tell her.  Amanda explains to Julia that that next thing she
    remembers, she was standing on the bridge again, completely dry. She tells
    Julia that she had concluded that it must have been a dream, but as the
    years went by and she didn't age, she became convinced that it really
    happened. She tells Julia that her time is almost up. Julia asks her how
    she knows this, did the man tell her what the date was?  Amanda replies
    that he didn't, but that she can feel it.  Julia tells her that there's
    hope, that something happened earlier that indicated that Grant was
    starting to recover his memories and leaves, saying that she has some
    ideas on how to expedite the process and has to go to Collinwood.
       A few seconds after Julia leaves, there's a knock on the door.
    Amanda answers. It is the man from the dream. He says, "I waited until
    your guest left. Your time is up.."
============================================================================
    Episode 923
    Worldvision Rerun 697
    Tape Date:  December 15, 1969 (ABC #8-DRK-70)
    Air Date:   January 7, 1970 Wednesday
    Writer:     Sam Hall
    Director:   Lela Swift

       Amanda shrinks from the man. He comes in.  He asks why everyone is
    so afraid of him. Amanda replies, "Because you're Death!". She tells
    him she's found Quentin, that he's here right now in another room
    in the Inn.  He asks why she's so afraid of him,then, since she knows
    he'll let her live if she's found Quentin and made him love her again.
    She explains that she's found Quentin, but that he has amnesia and
    doesn't remember her. She asks him how much time she has left.  He looks
    at his watch and tells her she has four minutes, adding that he
    is very punctilious, that's why he saved her from the werewolf earlier,
    because it wasn't her time yet. Desperate, she tells him that maybe by
    some miracle, Quentin will regain his memory and remember her in the
    remaining minutes. She goes across the hall and knocks on Quentin's room.
    But alas, there is no answer. He's not there...
       At Collinwood, Julia is looking through an old photo album, looking
    for pictures of Quentin to show Grant and try to jog his memory.  All
    the photos in the album have a caption written underneath.  But she
    finds that all the ones of Quentin (e.g. "Quentin Collins, Christmas
    1895", "Quentin at the Beach, Summer 1895") are missing. She wonders
    who could've taken them...
       At the Inn, Mr. Best tells Amanda her time is almost up.  There's
    a sound of footsteps approaching and Amanda says, "Wait! Maybe that's
    him!".  But then there is the sound of a door opening and closing,
    and the footsteps stop.  The person has obviously gone into another
    room and is not Quentin.  Amanda begs for just a little more time.
    Mr. Best tells her that because she's already gotten so far and
    also because he likes her, he'll give her exactly 7 more days..
       There is a furious knocking at the front doors of Collinwood.
    Carolyn answers. It is Sabrina, who has apparently escaped from
    Windcliff.  Sabrina points at the moon and says, "Look! The moon!
    Come with me! Important!".  Perhaps to humor her, Carolyn goes
    with her.
       Julia goes back to the Inn and tells Amanda what happened. Amanda
    in turn tells her about Mr. Best's visit and what happened.  Julia
    tells her there's still hope, that perhaps she can still find the
    one thing that will restore Quentin's memory. She leaves.
       Sabrina brings Carolyn to Harrison Monroe's house.  Carolyn asks
    her why she's brought her here.  Sabrina tells her that there was a
    murder here, but that everyone's gone now.  Carolyn asks what this
    has to do with her.  Suddenly they notice that someone else has
    entered the room. It's Julia.  Sabrina gets hysterical and screams
    at Julia, "You know! From the very first time I met you, I could
    feel that you knew! You've known about him and have been protecting
    him!".  Carolyn takes the hysterical Sabrina away*...
       Julia searches the room. In a desk, she finds a pile of form letters
    asking the recipient if he either has or knows the whereabouts of
    painting by Charles Delaware Tate called "A View of South Wales".
    They are all signed "Harrison Monroe".  She theorizes that the reason
    Tate wanted to recover this painting so badly might be that it's the
    portrait of Quentin, that he lied to her when he claimed it was destroyed
    in the fire, that he painted over it like he did the painting of Amanda
    but somehow lost it.
       Carolyn brings Sabrina back to Collinwood. She asks if she brought her
    to that house because Chris is the murderer.  Sabrina pauses, then says
    "No. It wasn't Chris" (perhaps considering Chris and the werewolf two
    seperate things).  Sabrina asks Carolyn if she loves Chris. Carolyn
    replies that she doesn't anymore. Sabrina replies "I do..."
       Julia returns to Amanda's room and tells her about the form letters
    she found and tells her that she's certain that the portrait of Quentin
    is underneath "A View of South Wales".  She shows her a copy of a bill
    from an art gallery she found in Harrison Monroe's desk, apparently
    included in a reply to one of the form letters, showing that the painting
    "A View of South Wales" had been sold to a "Sky Rumson".  Julia notes
    that the address given on the bill is in Little Windward Island, Maine, a
    small island only 50 miles away.  Amanda is puzzled and tells Julia that
    Sky Rumson is a rich and famous publisher, but lives in New York.  Julia
    replies that she's already checked, that the house in Maine is a summer
    house, and that she's learned he's coming there today.
       Julia goes to the Rumson residence in Little Windward Island.  She
    tells Rumson of her interest in a painting called "A View of South Wales".
    He shows her to the wall where it's hanging and points it out to her. It
    is a simple landscape, showing some houses on some rolling hills.  Julia
    thinks to herself that it's exactly the right size, but cannot tell
    if there's anything under it just by looking at it.  She lies to Rumson
    that she's organizing an exhibit of Tate's works and would like to borrow
    it.  Rumson tells her that she'll have to check with his wife about that,
    that it's her favorite painting for some reason, jokingly adding that his
    wife seems to have such good taste in everything else. Julia asks if his
    wife is here.  He replies that she isn't, that they usually come down in
    the same plane, but that today he had to come earlier for a business
    appointment.  He looks at his watch and tells Julia that his wife's plane
    is scheduled to land in 7 minutes and that she should be here soon.
    Julia asks to talk to his wife, but Rumson is reluctant, saying it's
    the 6 month anniversary of their marriage tonight and they'd like to
    be alone.  Julia promises not to take long.  Rumson tells Julia he has
    some business calls to make and suggests to Julia that she can occupy
    herself while waiting by looking at the other paintings in the house,
    "including the most beautiful of them all, one of Mrs. Rumson". He leads
    her to a small alcove, turns on a light, points to a picture and says,
    "There she is".  Julia is shocked. It is the portrait of Angelique.
    Rumson continues, "That's my Angelique.".

    *How Sabrina knows about Tate's murder is not explained.

==============================================================================
    Episode 924
    Worldvision Rerun 698
    Tape Date:  December 16, 1969 (ABC #9-DRK-70)
    Air Date:   January 8, 1970 Thursday
    Writer:     Sam Hall
    Director:   Lela Swift

       Julia remarks that both the painting and the clothing the woman is
    wearing appear rather old. Rumson explains that Angelique had it painted
    that way because they first met each other at a costume party. He explains
    that he first saw her picture in a magazine of his in a fashion spread
    and became enamored of her.  He excuses himself and leaves, saying he
    has some business calls to make.
       In the drawing room at Collinwood, Maggie is reading something
    and watching David do some lessons.  David complains about the amount
    of work Maggie gives him.  Finally, he tells her that he's done. Michael
    comes, saying to David that he expected him to come to the antique shop
    to play, and when he didn't, he came here instead.  Maggie tells him he
    can't play with David because David has a slight cold, but Michael and
    David promise to just play some board games and not anything to work
    up a sweat.  Maggie leaves to correct David's lessons.
       Angelique arrives at the Rumson summer home.  She and Skye kiss
    warmly.  He tells her there's a woman who came to see her and that
    she's waiting in the sitting room.  Angelique goes to the sitting
    room. She is shocked to see that the woman is Julia.  She closes the
    doors and asks Julia what she's doing here.  Julia replies that she
    didn't expect to see her here and asks HER what SHE's doing here.
    Angelique tells her that she's started a new life, that she's found
    a man whom she loves and who truly loves her, that she wants nothing
    more to do with the Collins, that she's even renounced her powers.
    Julia, not believing this, asks what she's doing with the portrait
    of Quentin if this is all true.  Angelique replies that it was a
    present from Skye.  She explains that when Skye asked her to marry
    him, she took a long time to think about it, about a month, that one
    of the things she did when she was making up her mind was to go into
    a shop where she knew the painting was and look at it, remembering all
    the pain and trouble caused by her relationship with the Collins, that
    Skye had found out that she was coming to the shop and learned from the
    owner that she spent a lot of time looking at the picture and had bought
    it for her as a surprise wedding present.  She begs Julia not to tell
    anyone about her.  Julia tells her about the Grant Douglas, that she
    thinks he might be Quentin and asks to borrow the painting.
       Michael cheats at the game he and David are playing, "Wall Street"
    (It looks a lot like 'Monopoly') by stealing some money from the bank.
    David gets upset and complains, but Michael tells him he can do whatever
    he wants to and orders him to finish the game. Maggie comes into the
    room and tells David that his handwriting is horrible, that there are
    entire sentences in the essay he has written that she cannot read.
    Michael arrogantly tells Maggie that she should let David continue
    playing and not bother him because it is not important to have legible
    handwriting, that many adults have illegible handwriting. David agrees,
    citing her handwriting as an example.  Maggie gets very upset at this
    and tells David to come see her in his room in five minutes. After
    Maggie leaves, Michael angrily tells David that after he has his
    discussion with Maggie, they're going to have fun and play a 'game'
    with her.
       Julia and Angelique reach an agreement. Julia agrees that she will
    keep Angelique's presence here a secret if she lets her 'borrow' the
    painting and return a copy.
       At Collinwood, all the lights go out. David asks Michael 'Why did
    you do that?".  Michael replies "To see if she's afraid of the dark".
    Maggie, holding a candle, goes through the house looking for David and
    Michael.  When she finds them, she tells asks David where the fuse box
    is. David stupidly blurts out "I didn't do it!!".  Maggie realizes that
    this indicates that someone DID do it, looks at Michael and says, "So
    YOU'RE responsible..".  Michael gets upset and tells Maggie that he
    doesn't like her and is going to call Philip and Megan and have them
    pick him up. He runs off.
       A little later, Maggie is in her room preparing for bed.  She hears
    a loud breathing noise and, thinking David is playing a trick on her,
    searches for the source, calling, "David. I know it's you making that
    noise. Where are you?".  The secret panel opens by itself.  Maggie
    goes in.  The panel closes, locking her in.
============================================================================
    Episode 925
    Worldvision Rerun 699
    Tape Date:  December 17, 1969 (ABC #10-DRK-70)
    Air Date:   January 9, 1970 Friday
    Writer:     Gordon Russell
    Director:   Henry Kaplan

       Maggie, still thinking that David is playing a trick on her, demands
    that he let her out. There is no response, so she starts to walk around
    and look for another way out.
       All the clocks in the antique shop read almost 9:30.  Megan looks
    at one of them and sits down in frustration.  The clocks strike the
    half hour.  Philip finally to the antique shop. Megan is furious with
    him, saying that he was supposed to be back at 6:30. Philip tells her that
    he was tied up doing appraisals at the Carson house. She tells him she
    knows that he was lying, that she called the Carson house at 7:30 and they
    told her he had already left and demands he tell her where he's really
    been.  He tells her he's just been parked in the car, looking at the sea,
    thinking about what's happened to their lives.  He asks where Michael is.
    Megan tells him Michael's staying at Collinwood.  Philip becomes furious,
    saying she shouldn't have let Michael do that because he has no control
    of himself. They have a big argument.
       Maggie, looking for another way out, finds herself where she started
    and realizes that she's been going around in circles.
       Roger returns home and hear David and someone else playing a game in
    the drawing room.  Inside, Michael tells David to sell him 100 shares of
    one of his stocks.  David replies, "I don't want to", but Michael angrily
    tells him, "You'll sell when I tell you to sell!"  Roger goes in and
    finds David playing "Wall Street" with a boy he's never seen before.
    David explains that the boy is Michael and is Alexander's cousin.
    Roger remarks that they're up early and asks where Maggie is.  David
    replies that he thinks she's still in bed.  After Roger leaves, Michael
    becomes angry and tells David that he can tell that Roger did not like
    Alexander, and does not like him either. He angrily tells David that the
    game is over, and storms out of the drawing room.
       Roger goes and looks for Maggie. He knocks at the door to her room
    but gets no answer.  He opens the door and finds that she is not there
    and that the bed has not been slept in.
       Maggie, continuing to look for a way out, goes into a room she finds.
    She hears the breathing noise, and the door slams shut on her.
       Roger comes back into the drawing room and tells David that he has
    looked for Maggie in her room and found that her bed has not been slept
    in.  He asks David if he knows where she is. David replies that he doesn't
    know, maybe she went somewhere.  Roger becomes upset at this, saying that
    if that is what Maggie did, then she is being irresponsible.  Michael,
    who has been eavesdropping from the foyer, comes back into the room.
    Roger leaves to see if Maggie is somewhere in the house.
       David and Michael play cards.  Roger comes in and says he's searched
    the house and not found Maggie.  There's a loud knocking at the front door.
    Roger answers. It's Philip. He tells Michael that it's time for him to
    go home.  Michael arrogantly replies that he doesn't see why he should,
    that he doesn't see why he and David can't just keep playing since
    David's governess isn't here to give him his lessons anyway. But
    Philip refuses to listen and takes him back to the antique shop anyway.
    Micheal, who doesn't want to go, is furious and struggles the entire way.
    When they get there Philip is so angry that he takes Michael over his
    knees and raises his hand to spank him, but Megan stops him.  Philip
    angrily goes upstairs. Michael tells Megan that he thinks Philip isn't as
    dedicated to 'their goal' as she is and touches her face. He tells her
    that Philip might be a liability to them and says that something must be
    done about him. Megan replies in a robotic tone, "Something must be done
    about Philip".  Michael leaves.   Megan goes to a writing table, lifts
    the top and takes out a revolver...
==============================================================================
    Episode 926
    Worldvision Rerun 700
    Tape Date:  December 18, 1969 (ABC #11-DRK-70)
    Air Date:   January 12, 1970 Monday
    Writer:     Gordon Russell
    Director:   Henry Kaplan

       When Philip returns to the antique shop, Megan points the gun at
    him and says, "I've got to do this". But Barnabas shows up and says
    "No you don't", takes the gun from her and tells her to go upstairs.
       Michael goes to Collinwood.  David asks him what's he doing back
    there. Michael lies that he left a book there.  David accuses him of
    having something to do with Maggies's disappearance, but Michael
    denies it.  Michael starts to go upstairs to 'find his book'. David
    tells him he'll go with him, but Michael tells him he can find it
    himself and orders him to stay downstairs.
       Still locked in the room, Maggie hears the loud breathing sound
    again. She decides that David can't be responsible, that if he had
    been playing a joke on her, he would have stopped by now. She thinks
    that it's perhaps Michael, or something else.
       Barnabas tells Philip that Michael is out of control and must be
    responsible for Megan's actions. He asks where Michael is.  Philip replies
    that he's not sure, but that he thinks he must be at Collinwood, that he
    had spent the night there. He tells Barnabas what happened there, about
    Maggie's being missing.  Barnabas tells him to go to Collinwood and
    try to find out what Michael did with Maggie. After Philip leaves,
    Barnabas thinks to himself that he doesn't like what's been happening,
    what he's been doing, that he hasn't been himself and vows to try to
    fight back and try do something to rectify the situation. The old
    Barnabas seems to be coming back...
       Megan comes back down and Barnabas tells her that Michael is out of
    control, that his actions are endangering their plans and that they'll
    have to change their plans.  He tells her this'll have to be the
    'end for Michael', that they'll have to lock him up until the time for
    him to emerge.  Megan asks Barnabas how they'll explain Michael's
    absence.
       In the room, Maggie hears the breathing stop. It is replaced by
    a voice telling her "I'm coming to get you soon..."
       Philip arrives at Collinwood and asks David if he knows anything
    about what Michael has done with Maggie.  At first, David, fearing
    Michael, lies that he knows nothing, but Philip eventually convinces
    him to tell him.  David tells him that the last time he saw Maggie
    was when she was going into her room, just as he was going to bed.
    Philip asks him to take him there.
      The voice continues to taunt Maggie, telling her she'd better not
    fall asleep...
      In Maggie's room, Philip asks David where his room is.  David replies
    that it's right across the hall.  He asks him if he heard her come out
    last night after he went to bed. David replies no. Philip remarks that
    if Michael had lured her out of her room, then he would have heard
    something, and asks David if there's any other way out of the room.
    David tells him about the secret passage and shows him.  Philip goes
    in..
      In the secret passage, Michael, hiding in the shadows, sees Philip
    and smiles. In the room, Maggie hears footsteps coming and grabs a
    candlestick to use as a weapon. The voice continues to taunt her,
    saying "I'm coming to get you NOW!".  Philip gets to the room.
    He unlocks it from outside . Maggie raises the candlestick...
===========================================================================
    Episode 927
    Worldvision Rerun 701
    Tape Date:  December 19, 1969 (ABC #12-DRK-70)
    Air Date:   January 13, 1970 Tuesday
    Writer:     Violet Welles
    Director:   Henry Kaplan

       Philip opens the door and walks in. Maggie whacks him...
       Julia is in the drawing room of Collinwood.  Michael enters through the
    secret door next to the fireplace.  Julia asks him how he knows about the
    secret passage.  Michael explains that David told him about them.
    Julia asks him if he knows about the one in Maggie's room. He admits
    that he does.  She asks him if he knows what happened to Maggie. He
    lies that he doesn't.  Suddenly, Maggie runs crying into the room.
    Michael runs out. Maggie explains that she was lured into the secret
    passages and locked in a room, that it was Philip who was responsible
    and that she had killed him.  Julia asks Maggie to take her there.
    Michael, eavesdropping from the foyer, smiles...
       Maggie takes Julia to the room...
       Michael returns to the antique shop.  Megan is there.  He scolds her
    for not having killed Phillp as he ordered.  She replies that she could
    not, that she's loved Phillip too long.  Micheal replies that that's now
    irrelevant, that 'that traitor Philip is now dead', that he's had him
    killed.  Shocked and distraught, Megan runs out of the shop.
       Megan arrives at Collinwood and cries to Julia that she must see
    Philip.  Julia tells her she cannot.
       Michael is playing in the antique shop.  A hand touches him on the
    shoulder. He turns to see who it is and is shocked. It is Philip.
    Philip tells her that his plan didn't work, that Maggie wasn't strong
    enough to kill him. He grabs Michael and appears to be about to beat
    him, but Megan comes rushing in and stops him.  She tells Michael to
    go up to her bedroom. He does.  Philip, furious, tells Megan that
    the boy is out of control and that something must be done about him.
    Megan tells him there is a way...
       In Megan's room, Michael maliciously writes his name on the mirror
    with lipstick. Megan comes in and tells him they're going to have to
    do something he won't like.....
       Maggie comes to the antique shop and apologizes to Philip for thinking
    he was responsible for what happened to her and panicking and whacking
    him. Philip apologizes to Maggie for Michael's actions, explaing that
    ever since his parents died in the accident, he's been acting strangely,
    angry at the world for what happened.
       Megan finishes explaining to Michael what must be done.  He does not
    like it and screams that he doesn't love her anymore.  She responds,
    "But you love Carolyn, don't you?".  This mollifies him, and he
    picks up the lipstick and writes "+ Carolyn" under his name on the
    mirror, then draws a heart around it...
       Maggie is still talking to Philip.  Suddenly, Megan comes running
    down the stairs screaming that something is seriously wrong with
    Michael, that he's unconscious, and frantically calls Julia.
       Julia comes to the antique shop and examines Michael.  He is conscious
    but delirious.  She finds that his heart is beating very strangely and
    tells them he must be put in the hospital. While she is calling the
    hospital,  Megan goes to stroke Michael and suddenly screams that he
    is dead.  Julia, saying she'll try to shock him back to life, prepares
    an injection...
=============================================================================
    Episode 928
    Worldvision Rerun 702
    Tape Date:  December 31, 1969 (ABC #13-DRK-70)
    Air Date:   January 14, 1970 Wednesday
    Writer:     Violet Welles
    Director:   Henry Kaplan

       Julia gives Michael the injection, but it doesn't work...
       After Julia signs the death certificate, she tells the Todds that
    she finds the death somewhat odd and would like to consult some experts
    and have an autopsy performed, but Megan becomes upset at this, saying
    it's clear why Michael died, that after his parents died, he lost all
    will to live, that both they and Mrs. Hutchins in 'Colleaguesport' (?),
    who took care of him at first, tried their best, but to no avail.
       At his house, Stokes is examining the painting Julia got from
    Angelique. Julia comes.  Stokes tells her he has called Professor Osmond.
    He notices that she seems upset and preoccupied.  He tells her he'll get
    some sherry to relax her.  As he is going, she asks him where
    'Colleaguesport' is. He tells her it's a small town about 20 miles
    away.  When he gets back with the sherry, she is gone.
       Julla goes to Colleaguesport and looks up Mrs. Hutchins.  She
    discusses Michael's death with her for a while then, apparently
    convinced that the Todd's story of her having taken care of him for
    awhile was true, leaves. Philip comes in from another room, tells Mrs.
    Hutchins she did very well and gives her an envelope full of money.
    She asks what this was all about, why he wanted her to lie about
    having taken care of a child named Michael, but he tells her she
    doesn't need to know that.  Philip leaves. He doesn't notice that
    Julia is hiding behind some bushes outside and sees him leaving.
       Philip returns to the antique shop and tells Megan that they have
    been successful in fooling Julia.
       Julia returns to Stoke's house. Stokes, somewhat angry, asks why
    she left so abruptly.  She tells him she had to check something out.
    He tells her he hopes she was successful. She replies that she was.
    She tells him that something very strange is happening, that she needs
    his help, and starts to explain the strange occurences of Barnabas' odd
    behaviour, the Todds, and the succession of blond children at the
    antique shop, each with the same birthmark.
       Julia fininshes telling her story, recounting Michael's strange
    death, and what happened at Mrs. Hutchins, that she saw Philip there
    and thinks the whole thing was a setup. Stokes tells her he'll help.
    He tells her she should try to question Paul while he goes and
    investigates the antique shop. She replies that she's tried, but could
    not get much out of Paul because he seems confused and fearful. He tells
    her to try anyway, that it would be worth it because he might know a lot.
       At the antique shop, Megan is still moping about Michael.  Philip
    tells her she's got to forget about Michael, and they get into an
    argument about this. Stokes comes into the shop, and they stop arguing.
    Stokes buys a statue, then compliments the Todds on what a nice shop they
    have, saying that he's glad to see that they have all sorts of antiques
    here, not just the standard colonial New England stuff most stores in
    this area have. He points to Megan's Naga locket and remarks that that,
    for example, is obviously from another part of the world. Philip wraps
    his statue up and gives it to him. Stokes notices that Philip is wearing
    a ring with the same design as Megan's locket. Stokes tells them he's got
    to leave, saying that he bought the statue as a birthday gift, and he's
    got to leave for the party right now. After he leaves, Megan tells Philip
    she's got a strange feeling about Stokes. Philip agrees, and tells Megan
    he's sure Stokes noticed his ring. Megan notices that Stokes, in spite
    of his claim he had to hurry to a party, is standing across the street
    watching the shop, and draws the curtains. They hear the sound of
    footsteps upstairs. They are shocked to see Michael walking down the
    stairs.  He announces, "I've decided not to go through with it.."
============================================================================
    January 1, 1970 - New Year's Day.  No show taped.
============================================================================
     Episode 929
     Worldvision Rerun 703
     Tape Date:  December 22, 1969 (ABC #14-DRK-70)
     Air Date:   January 15, 1970 Thursday
     Writer:     Gordon Russell
     Director:   Henry Kaplan

        The Todds try to explain to Michael that that's impossible now, and
     tell him to go back upstairs to his room. He refuses. Philip,
     exasperated, grabs him and drags him upstairs. Carolyn telephones and
     tells Megan that her mother would like them to come over for dinner.
        Megan goes upstairs and finds Philip outside the door to Michael's
     room. He tells her that he's locked the door from the outside and
     Michael won't be able to get out again. She warns him that Michael is
     getting stronger everyday.  Philip agrees, and says he will put a
     stronger bolt on the door.
        At Collinwood, Paul sneaks down into the drawing room and snoops
     around.  He finds a gun in a drawer and puts it into the pocket of
     his robe.  Carolyn comes into the drawing room and asks him what he's
     doing there.  He tells her he feels much better and just wanted to walk
     around a bit.  He asks her for a strange favor. Saying that he's found
     out that he's allergic to the medicine they've been giving him but that
     they won't believe him, that he's feeling much better because he's
     stopped taking it, he asks her to bring him some food, saying that
     they've started putting the medicine in his food. She agrees, but after
     Paul goes upstairs, she shakes her head sadly...
        Paul goes back to his room and is shocked to see Barnabas in there.
     He pulls the gun on him and asks him what he wants.  Barnabas tells him
     he wants to help him.  Paul replies that he's have to be an idiot to
     believe that.  Barnabas tells him to look on the bed. He does and sees
     a box with an envelope on top.  Barnabas explains that he knows that his
     clothes were taken away after the time he escaped to town and that the box
     contains clothing, that the envelope contains enough money for him to
     go quite a distance. Paul replies that he won't leave, that he has to
     stay to protect Carolyn. Barnabas assures him that he'll protect her.
     Paul agrees to go. Barnabas leaves, saying he'll go and make sure
     the coast is clear. Paul thinks to himself that he's fooled Barnabas,
     that he has no intention of leaving, that he'll stay in Collinsport and
     investigate what's going on, starting with the mysterious antique shop.
        Philip finishes putting in the bolt, and the Todds prepare to go
     to Collinwood.
        In the drawing room,  Elizabeth takes a bottle of some sort of
     liquid and puts a label on it.  Carolyn comes in and asks what it is.
     Elizabeth replies that it's a refill for Paul's medicine.  Carolyn
     volunteers to take it up to him.  Elizabeth replies that that's not
     necessary, that she'll do it, but Carolyn tells her it would be better
     if she took it up because he's more likely to take it if she brings it.
     Elizabeth tells her she didn't think of that and gives it to her.
     Philip and Megan come, and Carolyn goes upstairs with the bottle.
        Barnabas returns to Paul's room. Paul is dressed.  There's a knock
     on the door.  Barnabas hides behind the curtains.  Paul lets Carolyn
     in.  She asks him why he's dressed.  He tells her he can't stand being
     cooped up for so long and wants to take a walk.  She tells him he can't,
     but eventually relents and tells him she'll let him if she can accompany
     him, but tells him that he'll have to wait for half an hour because the
     Todds are here. She tells him to promise that he'll stay here.  He does.
     After she goes, Barnabas tells him that everyone's in the drawing room
     and he'll go downstairs to make sure the door is closed, that he is to
     follow and leave when he sees the drawing room doors closed.
        In the drawing room, Philip, Megan and Elizabeth discuss their plans.
     Megan tells Elizabeth that soon, all the Leviathan people from all over
     the world will eventually come to Collinsport.  Barnabas comes in.
     He begins to shut the door, peering out briefly to see that Paul is
     coming down the stairs.  Elizabeth asks what he's doing. He lies that
     he's just seeing what time it is and closes the doors. Paul comes down
     the stairs. He sees Megan's purse on the table and steals a bunch of
     keys from it.
        Paul goes to the shop and, using the keys he stole from Megan's purse,
     opens the door and goes in and starts to search around.
        Philip and Megan finish talking to Elizabeth and Barnabas. Elizabeth
     offers to let them stay for the night, but they tell her they'd rather
     go back to the shop and leave.
        Paul makes his way upstairs.  Outside Michael's room, he hears the
     loud breathing sound.  He unbolts the door and tries the door, but finds
     that it is still locked.  He takes the bunch of keys and starts trying
     them.  He finds the right one, opens the door and goes in. He sees
     something that terrifies him and screams, "NO ! NO! NO!".  It is clear
     that whatever he sees is BIG, as his head is upturned and it's clear
     that he's looking UP...
==============================================================================
     Episode 930
     Worldvision Rerun 704
     Tape Date:  December 29, 1969 (ABC #15-DRK-70)
     Air Date:   January 16, 1970 Friday
     Writer:     Gordon Russell
     Director:   Lela Swift

        Paul tries to escape, but the thing, which is invisible to us,
     closes the door and backs him into a corner.
        The Todds return to the shop.  Megan notices that things are out of
     place and tells Philip that someone has been here. Thinking that Michael
     has somehow gotten out of the room, they go upstairs to check.  They
     find the door unlocked and go in.  They find Paul cowering in the corner.
     They try to get him out, but the thing won't let them.  Megan tells
     Philip there's only one thing they can do, call Barnabas for help.
       At Collinwood, Julia is trying to talk to Barnabas again, asking him
     what's happened to him, but Barnabas tells her not to get involved, that
     it can get dangerous.  The phone rings. Julia answers. It's Megan,
     asking for Barnabas.  She gives the phone to him.  Megan tells Barnabas
     what's happened and asks him to come to the shop.  Barnabas tells
     Julia he's got to leave.  Julia tells him she can tell something's
     happened and asks him what it is.  He denies that anything has happened
     and rushes out of Collinwood.  Carolyn comes down and tells Julia her
     father is missing.
        Barnabas arrives at the shop. He tells Megan to get a cot ready in
     the basement. He goes into the room and orders the thing to let Paul
     go.  The thing obeys, reluctantly.
        Having searched the Blue Whale and the Collinsport Inn and not found
     Paul, Julia and Carolyn are standing in front of the Inn.  Julia asks
     Carolyn if there's anywhere else he's been known to go.  Carolyn tells
     her he sometimes goes to the antique shop.
        Barnabas takes Paul down the the room in the basement.  Megan asks
     what he plans to do with him.  Barnabas replies that he doesn't know
     yet, that for the time being, they're just going to have to keep him
     here.  Megan disgrees with this, saying that Paul knows too much and
     should be killed.  Barnabas angrily tells her that there will be no
     more killing and tells her she's getting as bloodthirsty as Michael.
     The door entrance bell rings, and the Todds quickly go upstairs.
        Upstairs, Julia and Carolyn tell the Todds that Paul is missing and
     ask if he's come here.  They lie that he has not.
        Downstairs, Paul goes crazy and starts to struggle with Barnabas.
     During the struggle, Paul knocks a lamp down.
        Upstairs, everyone hears the crash.  Julia asks if anyone else is
     in the shop. The Todds lie that there isn't.  Philip tells them he'll
     go downstairs to see what caused the noise.
        Downstairs, Barnabas tells Paul to calm down, that he's going to
     help him escape, but that he'll have to wait because he can't do it
     right now. Philip comes down and Barnabas tells him what happened.
        Philip comes back up, holding the lamp. He tells them that Megan
     had apparently put it too close to the edge of a crate and that it
     fell down, causing the noise. Julia and Carolyn leave.
        Outside, Julia tells Carolyn to drive back to Collinwood by herself.
     She stays and surreptitiously watches the shop.
        In the shop, Barnabas tells the Todds that the door to Michael's room
     is to be kept locked and not be opened for any reason.  He leaves the
     shop.  Julia, from her hiding place, sees him.
        Megan tells Philip that Barnabas seems to have changed, that she
     doesn't agree with his judgement anymore.  After Philip is asleep, she
     goes to Michael's room and opens the door.  The thing (invisible),
     walks heavily down the stairs towards the room where Paul is.
       In the room, Paul hears noises outside the door and smells the same
     sickly sweet smell he smelled in the room upstairs.  He frantically
     looks for another way out of the room, but finding none, picks up
     a chair and prepares to hit whatever comes in through the door.
============================================================================
     Episode 931
     Worldvision Rerun 705
     Tape Date:  December 23, 1969 (ABC #16-DRK-70)
     Air Date:   January 19, 1970 Monday
     Writer:     Sam Hall
     Director:   Henry Kaplan

        The thing tears the door off its hinges, comes in and knocks the
     chair out of Paul's hands and attacks him.  Suddenly, a voice orders
     him to stop and leave Paul alone. It is Barnabas.  The thing stops.
     Barnabas orders the thing to follow him. Megan, who's been listening
     to the attack from the stair landing, hears Barnabas and runs into her
     room. Barnabas takes the thing upstairs and locks it back in its room.
     He angrily calls for Megan.  She comes out of her room.  He asks her
     why she didn't do anything, that she surely must have heard the
     commotion. She replies that she did, but was afraid to do anything,
     that she couldn't awaken Philip because he had taken some sleeping
     pills.  Barnabas accuses her of lying and having opened the door
     deliberately to let the thing attack Paul.
        Paul runs out of the antique shop, right into the arms of Julia.
     She takes him away.
        Barnabas goes downstairs and finds that Paul is gone.
        Julia takes Paul to Stokes' house. Stokes notes that Paul's clothing
     is ripped, as if by a wild animal and even stranger, smells strangely
     of decay.  Julia tells him she found him outside the antique shop in a
     state of shock. She remarks that its the same condition Amy had been
     in after being in the shop. Stokes asks what caused Amy's shock.  Julia
     replies that it was seeing Grant Douglas and thinking it was Quentin,
     but that that couldn't be the case with Paul.  There's a phone call.
     Stokes answers. It's Professor Osmond. He tells Stokes that the painting
     will be finished in about 3 hours. Stokes tells Julia this.  Stokes
     suggests that they call the police and have them investigate the shop,
     but Julia begs him not to, saying that Barnabas is involved, that she
     saw him there tonight and wants to keep the police out of it.  She asks
     if she can leave Paul there for awhile. Stokes says yes, and she leaves.
        Megan, at the shop, continues to find Barnabas' behavior suspicious.
     She asks herself why Barnabas returned to the shop after he had left.
     She decides to call Elizabeth and talk to her about it.  She calls
     Collnwood, but Olivia, who is in the foyer, answers and tells her
     Elizabeth isn't there.
        Julia returns to Collinwood and finds Olivia waiting in the foyer
     for her. Olivia is desperate. She tells Julia that her time is almost
     up, that she saw Mr. Best sitting in the lobby of the Inn, looking
     at his watch. Julia asks her how much time she has left. She tells
     her "Two hours".  Julia tells her there's still hope, that the painting
     is almost finished.  She tells Olivia to return to the Inn and try
     to do what she can to get Grant to remember, that she'll try to see if
     she can get the painting finished faster.  Olivia leaves, and Julia
     calls Professor Osmond.
        Olivia returns to the Inn and tries to get Grant to remember. She is
     not having any success.  She gets a call from Julia telling her that
     Osmond has called her and told her the painting is finished and to
     meet her at his house with Grant.
        Stokes tries to get Paul to talk, but has no success.
        Julia, Olivia and Grant meet at Osmond's house.  They go into a room,
     Osmond having told them they can look at the portrait in private.  In
     the room is a painting covered by a blue cloth.  Julia unveils the
     portrait.  Olivia looks at it, screams and runs out of the room...
===========================================================================
     Episode 932
     Worldvision Rerun 706
     Tape Date:  December 30, 1969 (ABC #17-DRK-70)
     Air Date:   January 20, 1970 Tuesday
     Writer:     Sam Hall
     Director:   Lela Swift

       ...for the portrait is indeed that of Quentin Collins, but it is
     of an extremely old man who looks like he has been disfigured by
     syphilis, face pockmarked, nose partially rotted away.  Grant turns
     away in horror...
       Outside the house, Amanda thinks to herself, "Is that what Quentin
     would look like if it weren't for the portrait? Would I look something
     like that if it weren't for Mr. Best?".  Suddenly, she sees Mr. Best
     standing there beside her. He tells her her time is up...She begs for
     just a few more minutes, saying that something's just happened and
     Quentin might have regained his memory, but that she left without
     finding out...
        Inside, Julia asks Grant if the portrait has had any effect on his
     memory.  Grant replies that it has not, but has his face turned away,
     not wanting to look at it.  She asks him to look at it again.  He
     refuses. She asks him why he would have such a reaction to it if it
     meant nothing to him.  He looks at it again.
        Outside, Mr. Best tells Olivia that her time is out and that he's
     not going to give her any more.
        Inside, Grant, looking at the portrait, suddenly says to Julia,
     "Aren't you afraid to be in the same room as Quentin Collins, Julia?
     Can't you see what I really am, how everything that should have happened
     to me has happened to the portrait instead, that the portrait is me as
     I really am? ". He has regained his memory.  Julia explains Amanda and
     her situation with Mr. Best to him. Quentin runs outside, but Amanda
     is gone. He finds some stuff she has dropped on the floor.
        Mr. Best takes Amanda back to the 'hotel lobby'.  He tells her that
     this is just a waiting area and leaves, saying he has other people
     to see.  She tries to open the door, but finds it locked.  A bellboy
     appears behind her and asks, "You want to go out?", and gives her a
     key.  She tries it but finds that it doesn't open the door. The bellboy
     laughs and says, "Oh, I fool a lot of people with that one!".  He tells
     her that no one gets out, and that he'll show her to her room...
        Quentin and Julia return to Amanda's room.  Quentin agonizes over
     how he came so close, how he finally found Amanda but did not know who
     she was and lost her again forever.  He tells Julia he wants to be alone
     and asks her to leave. She does.  Quentin picks up a letter opener and,
     saying "I WILL be with her!", prepares to kill himself, but Mr. Best
     comes in through the door and says, "Don't. It's not your time yet.".
     Quentin stops.  The man remarks, "Quentin, Amanda's told me a lot about
     you .".  Quentin replies, "So your the one who took her!", and raises
     the knife to attack him, but Mr. Best uses his powers to force Quentin
     to drop the knife without touching him. Quentin tells Mr. Best that he
     loves Amanda and will do anything to be with her.
        In the 'hotel lobby', the bellhop is entering Amanda's name in a
     ledger.  The front door opens and Mr. Best enters with Quentin. The
     bellboy finishes what he's doing and leaves.  Mr. Best tells Quentin
     that the door through which they have entered is one way, that only
     he, Mr. Best, can go out through it. Quentin tries it and finds it
     locked.  Mr. Best then shows Quentin to another door, this on a heavy
     iron one.  He tells Quentin that it is the only way out and opens it.
     The sounds of wind and thunder come from outside.  He tells Quentin
     that it's a difficult journey, that few have ever successfully traversed
     it back to the world of the living.  Quentin remarks that it looks like
     a trap.  Mr. Best replies that it's many traps.  Closing the door,
     Mr. Best tells Quentin that he'll let him and Amanda try the journey,
     and that if they're successful, he'll let them live together forever.
     He tells Quentin that they'll be allowed to bring one thing with them,
     the two candlesticks on the table beside the ledger.  He then gives
     Quentin one additional warning, that he and Amanda are not to touch
     until they reach the world of the living, that if they do, she'll
     be lost to him forever.  He tells Quentin he'll go get Amanda and leaves.
     Quentin picks up the candlesticks, goes to the iron door and opens it
     to look over what he's facing.  As he is looking and pondering, Amanda
     comes into the room, sees him and, overjoyed to see him, starts to
     walk over to him, arms raised ready to hug him...
=============================================================================
     Episode 933
     Worldvision Rerun 707
     Tape Date:  January 2, 1970 (ABC #18-DRK-70)
     Air Date:   January 21, 1970 Wednesday
     Writer:     Violet Welles
     Director:   Henry Kaplan

        Quentin turns around just in time, screams at Amanda not to touch
     him and explains the situation to her.  He finds that Mr. Best had
     told her nothing, the first trap... They start their journey..
        At the shop, Megan calls the sheriff about Paul...
        At Stokes' house, Stokes tries to get Paul to talk by telling
     him he's safe there, to no avail
        Megan and Philip at the shop hear a huge sound coming from upstairs.
     They go up to the chosen room to investigate and find the boards
     covering one of the windows all broken. The thing has escaped...
     Megan tell Philip it's obviously gone after Paul...
        Quentin and Amanda are making their way through the caverns leading
     back to the land of the living.  Amanda wanders and suddenly finds
     herself trapped in a giant spiderweb.  The spider starts to crawl
     towards her.  Quentin picks up a rock and throws it at the spider,
     killing it.  They decide to use Quentin's coat to keep from becoming
     seperated. He takes it off and they each take one sleeve, holding
     it as a guide rope between them.
        Philip tells Megan that they must get Barnabas and tell him what
     happened.  Megan refuses, saying that they should let the thing  go
     and get Paul. In fact, she ORDERS him not to get Barnabas.
        Amanda slips and sprains her ankle, but tell Quentin she can still
     go on.
        Stokes still has no luck getting Paul to talk.  He leaves the room
     to get something.  While he is away, Paul goes to the phone and starts
     to ask the operator to call the police.  Stokes comes back in, hears
     him and says, "So, Mr. Stoddard, you CAN talk !". For some reason,
     Paul is afraid of him and runs from him, going into another room
     and locking the door. Stokes tries to get him to come out, but he
     won't.  Stokes telephones Julia.
        Quentin and Amanda see a light at the end of the caverns and realize
     that they are almost through.  But they find a rickety rope bridge
     in their way.  Amanda tells Quentin she is afraid to cross it. Quentin
     tells her she must, saying that they'll have to go seperately because
     it might not bear both their weights. He tells her he'll go first, that
     if it can bear his weight, then it will bear hers. He starts.
        Julia comes to Stokes.  She tries to get Paul to come out of the room,
     but he refuses, saying that he'll only talk to the police.  Julia lies
     that she'll call the police, then. She goes to the phone and spins the
     dial a few times and then pretends to talk to the police.  Suddenly,
     there's a commotion in the room where Paul is. Paul screams. The door
     opens and Paul comes out and falls to the floor.
        Quentin finishes crossing the bridge. He calms Amanda down and
     coaxes her to cross the bridge. She starts to walk across slowly.
        Stokes comes out of the room where Paul was and tells Julia the
     room is completely in shambles, but there's no longer anything in
     there but a strange smell.  Julia tells Stokes that Paul is dead.
     They decide that they must call the police.
        Just as she is about to reach the end of the bridge, Amanda falls
     through a hole. She just barely manages to grab hold of the top
     rope of the bridge.
===========================================================================
     Episode 934
     Worldvision Rerun 708
     Tape Date:  January 5, 1970 (ABC #19-DRK-70)
     Air Date:   January 22, 1970 Thursday
     Writer:     Violet Welles
     Director:   Henry Kaplan

        Quentin instinctively reaches out, grabs her arm and pulls her
     back up.  They both suddenly realize they have touched.  They run,
     trying to reach the exit before it's too late, but a bunch of rocks
     fall on Amanda, burying her.  Quentin awakens and finds himself in
     the woods, knowing he has lost Amanda forever.
        The sheriff arrives at Stokes.  He tells them he has never seen
     anything like it and tells them he'll take Paul's coat to a chemist
     to have the strange substance on it analyzed.
        At the antique shop,  Megan and Philip anxiously await the thing's
     return.  Philip tells Megan that he thinks it would be better if the
     thing not come back here, that it would be better if it hid in the
     woods because the authorities might follow it here if it returned to
     the shop.  They hear a noise upstairs followed by the sound of
     loud breathing. They realize that the thing is back...
        Julia tells the sheriff that Paul's last words were about
     "Monster! Room at top of stairs !".  The sheriff asks if she has any
     idea where this room might be.  She replies that she thinks it might
     be at the antique shop because she found him running out of there.
     The phone rings. Stokes answers it and gives it to the sheriff.
     After talking on the phone, the sheriff tells them that the chemist
     is baffled by the substance and will send the coat to a more advanced
     laboratory in Bangor to see if they can determine what it is.  Julia
     asks the sheriff what they should tell the Collins. The sheriff tells
     her they should keep it quiet and tells her to just say died of a heart
     attack.
         At the shop, Megan comes back downstairs and tells Philip that she
     tried to talk to it and explain to it why it should go hide in the
     woods, but that it refused.  Philip tells Megan that he doesn't
     like the way things are going and suggests that they just wash their
     hands of the whole thing and leave. Megan refuses. The phone rings.
     Megan answers. After hanging up, she beams and tells Philip that
     it was Elizabeth telling her that Paul had died of a heart attack
     without saying a thing.  She leaves, saying she's going to Collinwood
     to pay her 'respects'...
        At Stokes, the sheriff hangs up the phone and tells Julia
     that the search warrant will be ready within an hour.
        At the antique shop, Philip stands around moping.  Julia and the
     sheriff come. The sheriff tells him that the shop was mentioned in
     a dying man's last words, and he has a search warrant to search the
     place.  Philip tries to stop him with the excuse that they've just
     had a death in the family and are in no mood for a useless search, but
     the sheriff replies that he's sorry but he has to.  Reluctantly, lets
     them search.  At the top of the stairs,  the sheriff stops at Michael's
     room and asks what's in there.  Philip begs him not to go in there,
     saying it's the room belonging to the child that just died and it
     would be too painful, but the sheriff replies that the dying man
     had specifically said 'the room at the top of the stairs', and that's
     one room he's got to search. He pulls his gun and starts to open
     the door...
=============================================================================
     Episode 935
     Worldvision Rerun 709
     Tape Date:  January 6, 1970 (ABC #20-DRK-70)
     Air Date:   January 23, 1970 Friday
     Writer:     Violet Welles
     Director:   Henry Kaplan

       The sheriff opens the door. Standing inside is a tall young man in
     his mid 20's. The sheriff asks the man what he's doing there. The
     man replies that it's his room.  The sheriff turns to Philip and remarks,
     "I thought you said this was the boy's room." Philip is at a loss of
     words.  The young man chimes in "He doesn't know anything about me.
     His wife rented this room to me while he was out. ". He introduces
     himself as Jabez Hawkes, Jeb for short.  The sheriff leaves to search
     the rest of the house. Phillip goes with him.  Julia talk briefly with
     Jeb. When they shake hands, Julia notices something...
        Having searched the house and found nothing, the sheriff is
     downstairs with Phillip. Phillip tells the sheriff that he's gotten
     an antique tea strainer like the one his wife has been asking for and
     leaves the room to get it.  While he is out of the room, the sheriff
     finds something on the floor and puts it in his pocket.
        Outside the shop, Julia tells the sheriff that in spite of the fact
     that they didn't find anything, she still believes that something is
     going on here.  The sheriff tells her he agrees, that he DID find some
     things, that he smelled the same odor in the room as in the room
     where Paul died...
        Barnabas goes to the shop and reprimands Jeb for killing Paul.
     Jeb tells him he's an adult now and will no longer listen to any
     orders from him. He orders Barnabas to expedite things with Carolyn..
     Barnabas tells him he made a bad mistake in killing Paul, that according
     to the book, it was to be Paul who gave Carolyn away at the wedding.
     Jeb replies that he doesn't care, he's not following the book's rules
     anymore either.
        Julia goes to the Inn and finds Quentin there.  Quentin recounts
     what happened to Amanda.  Julia tells him about what's happening
     and tells him that he's the one person who can help Barnabas and
     asks him to try in spite of his pain over losing Amanda, but
     Quentin, totally distraught, refuses.
        The sheriff goes to the antique shop. Jeb answers the doors.
     The sheriff asks for the Todds, saying he has some more things to
     question them about. Jeb replies that the Todds are not here, and
     the sheriff leaves, saying he'll return later.  Philip comes out
     of another room and asks what the sheriff wanted. Jeb replies that
     "You probably messed something up. Don't worry. I'll take care of
     it" and leaves.
        At Collinwood, Julia confronts Barnabas and tells him that the
     Sheriff had found a burnt cufflink at the Todd's and that they are
     closing in. She suggests that he go to the sheriff before the
     sheriff comes to him, that things might be easier for him if he
     does..
        Jeb Hawkes goes to the sheriff's office in monster form and
     kills the sheriff.  Moments after he does so, there is a knock at
     the door. Barnabas comes in, sees the sheriff, examines him, and
     finds that he is dead.  When he looks up, he sees Jeb standing there.
     Barnabas remarks, "I guess I don't have to ask what you're doing
     here..". Jeb replies, "The important question is, what are YOU
     doing here ?".
==========================================================================
     Episode 936
     Worldvision Rerun 710
     Tape Date:  January 7, 1970 (ABC #21-DRK-70)
     Air Date:   January 26, 1970 Monday
     Writer:     Sam Hall
     Director:   Lela Swift

        Jeb continues, "Did you come here to betray me?". Barnabas lies
     his way out of it by saying that the sheriff had found one of Paul's
     cufflinks at the shop and that he came here with a phony story to
     explain it.
        At Collinwood, the family is prepared for Paul's funeral. Elizabeth
     calls the Todds and asks them to come.  Carolyn becomes distraught
     and says that she doesn't care what the autopsy said, that she's
     sure her father was murdered. Elizabeth takes her into the drawing room
     to console her. Barnabas comes and tells Roger he's glad they're
     haven't left yet because he wants to go to the funeral too. He then
     tells Roger that there's been another mysterious death like Paul's
     in town, that this time it's Sheriff Davenport.
        Jeb returns to the shop and is angered to find that the Todds are
     not there, angrily screaming that he told them they were not to
     leave without asking him.  Then he finds a note they left for him
     telling him they went to Paul's funeral...
        At the funeral, unbeknownst to anyone, Jeb spies on Carolyn
     from behing the gravestone of Jenny Collins...
        Barnabas goes to the shop and asks Jeb why he summoned him
     (psychically, presumably). Jeb again orders Barnabas to expedite
     things with Carolyn.  Barnabas tells him it's not time, that it
     would be difficult in her present mental state. Barnabas leaves.
     Outside, he thinks to himself,"I'll see to it that it will NEVER be
     Carolyn's time..."
        Back at Collinwood, Barnabas suggest to Elizabeth that it would
     be a good idea to send Carolyn away to New York for a while, that
     the change of scenery would be good for her.  Elizabeth finds this
     a strange idea (she has no knowlege of the Leviathan's plans for Carolyn).
     Carolyn hears Barnabas and tells him she's not going to go, that she's
     going to stay and that the first thing she's going to do is go and
     try to console Mrs. Davenport, the Sheriff's wife.
        Having visited Mrs. Davenport, Carolyn goes to the shop to thank
     the Todds for coming to Paul's funeral, but finds that they are not
     there. She writes a note to them. Jeb comes down the stairs and
     introduces himself.
        Later, Barnabas, having learned of their meeting, goes to the shop
     and tells Jeb it's still too early and he should not have caused
     Carolyn to come to the shop. Jeb replies that he didn't cause it, she
     came of her own free will because she was destined to, just as she
     was destined to marry him, to walk up the stairs and join him in his
     room and become one like him.  He tells Barnabas he disagrees with him
     about it being too early, and announces that the wedding will be on
     Friday.
============================================================================
     Episode 937
     Worldvision Rerun 711
     Tape Date:  January 8, 1970 (ABC #22-DRK-70)
     Air Date:   January 27, 1970 Tuesday
     Writer:     Sam Hall
     Director:   Lela Swift

        David is brought back to Collinwood in a wheelchair, his leg
     in a cast. Maggie asks him what happened. He explains that he was
     riding his bicycle down Jones Street and a tall blond man jumped out
     of the bushes and caused him to fall and break his leg*.
        At the antique shop, Jeb orders Barnabas to have Carolyn ready by
     Friday. Barnabas tries to convince him otherwise, saying that it's too
     early, but Jeb orders him to do so. He also tells him to have a room
     prepared for them at Collinwood, saying that they'll live there after
     the marriage. He tells him that certain people he doesn't want there -
     Julia, Maggie, Amy, Mrs. Johnson -  will have to be eliminated.  Seeing
     a look of reluctance on Barnabas' face, he threatens him by reminding
     him that if he doesn't follow orders, he'll be turned back into a vampire
     and that a terrible fate will await Josette, who's still in Hazor's
     hands. David comes into the antique shop, sees Jeb and shouts, "YOU!
     YOUR THE ONE WHO DID THIS TO ME!".  Barnabas becomes angry with Jeb,
     but Jeb merely remarks that it was a necessary punishment.
        Maggie and Julia are at Collinwood wondering where David went. David
     returns home.  Maggie tells David to go up to his room.
        David goes upstairs on crutches and finds Jeb waiting for him in his
     room.  Jeb tells him he hopes he understands why he had to punish him.
     David replies that he does.  He tells David he remembers how he gave him
     that radio when he was Alexander, and gives him his watch as a gift.
     Maggie comes in, sees Jeb and, recoginizing him from David's earlier
     discription, screams, "You! You're the one who caused this!".  Jeb
     admits that he had, and explains that he came to apologize, saying he
     snuck in because he was afraid they wouldn't let him in because he ran
     away from the accident.  Maggie angrily tells him to leave and escorts
     him out.
        Julia, in the drawing room, hears Maggie shouting at Jeb as she's
     escorting him down.  Maggie is surprised to find that Julia and Jeb
     are acquainted with one another. Julia shakes hands with Jeb and sees
     his birthmark, which she didn't see before because of the watch, which
     he no longer has on...
        After Jeb leaves, Maggie tells Julia that she doesn't trust Jeb, and
     adds that there's something about his eyes that reminds her of Michael.
     She goes up to check on David.  Julia calls Quentin and tells him she
     needs his help and asks him to come over. He does. They go to the
     cemetary and dig up Michael Hackett's grave.
        Maggie tries to tell David that Jeb is a suspicious man and that
     he shouldn't trust him, but David just tells her that he likes him.
        At the cemetary, Julia and Quentin open Michael's coffin..
        After Maggie finishes with David, she comes downstairs and finds
     Barnabas there. He tells her that it's bad for Carolyn staying here
     and tells her to try to convince her to leave for awhile. Maggie
     agrees. After she leaves, Barnabas wonders whether he should have
     involved her, but concludes that he had no other choice. Julia returns
     and tells Barnabas she's got to talk to him.  He replies that he
     doesn't want to involve her.  She replies that she's already involved,
     that she's just had Michael's grave opened and found it empty, that
     she's seen the birthmarks on all three and know they are one and the
     same. She tells Barnabas he'd better tell her everything.  He replies,
     "All right, Julia. I'll tell you everything..."

     *  David Henesy really did break his leg. This was written into
        the storyline.

============================================================================
     Episode 938
     Worldvision Rerun 712
     Tape Date:  January 9, 1970 (ABC #23-DRK-70)
     Air Date:   January 28, 1970 Wednesday
     Writer:     Gordon Russell
     Director:   Lela Swift

        Barnabas takes Julia back to the old house to tell her everything.
     He starts by recounting how he went to Tate's cottage and finding it
     burned up, how he had an argument with an angry Tate, angry because
     all his things had been destroyed, how Tate admitted that he had stolen
     Quentin's portrait, how he thought he had convinced Tate to paint
     another painting of Quentin but did not show up later as he had promised.
        Julia interrupts and tells Barnabas that she had found Tate a few
     weeks ago.  Barnabas remarks that he is surprised that Tate's been alive
     all this time. Julia tells him that Tate's no longer alive, that he was
     killed, ironically, by a werewolf, Chris.  Julia surprises Barnabas again
     by telling him that Quentin's portrait had not been destroyed, that she
     found it and has it now.  Barnabas asks who had it.  Julia replies,
     "Angelique". Barnabas is stunned. Julia explains how Angelique got
     married, renounced all her powers, and gave her the portrait if she
     would agree to leave her alone and not get her involved with the Collins,
     with whom she no longer want to have anything to do.  Barnabas is
     obviously interested in all this, but Julia firmly tells him that
     Angelique is not important now and asks him to continue his story.
        Barnabas explains how he then went to the old house where he had
     left Lady Kitty Hampshire and found her being pulled into the picture
     of Josette, how he grabbed hold of her and found himself pulled back
     too and how he found himself back in the 18th century on the night
     Josette was to die, how he managed to save her, how he arranged to
     meet with her after making some arrangements to go away together
     forever, how on his way back to her he found the Leviathan altar
     that wasn't there before and how Haza and Oberon made him a slave
     of the Leviathan, a nearly extinct ancient race whose plan is to use
     him to bring one of their kind to the future where it would marry
     a human and start the Leviathan race anew, how they are keeping him
     in line by keeping Josette hostage and also threatening to turn him
     into a vampire again if he does not obey. He reveals to her how
     he brought the essence back in the Leviathan box, how they enslaved
     the Todds, how they have the power to enslave humans by dreams, how
     they tried to enslave her, Julia, but how she proved to be immune,
     that Elizabeth, David and Amy were not immune and are now Leviathan
     s laves, which was why he had to bring her to the old house to talk,
     how the essence has been growing, how it's false human form has been
     growing too, and been Joseph, Alexander, Michael and now Jeb. He tells
     her that Carolyn is in particular danger, because she is the one they
     plan to marry Jeb to.  He explains how the thing, in the form of Jeb,
     has now become uncontrollably evil, not even following the rules of the
     Leviathans, how he killed Paul and Sheriff Davenport and how he has the
     power to raise the dead to be slaves.
       Meanwhile, in the cemetary, Sheriff Davenport (1935-1970) comes out
     of his grave..
============================================================================
     Episode 939
     Worldvision Rerun 713
     Tape Date:  January 13, 1970 (ABC #24-DRK-70)
     Air Date:   January 29, 1970 Thursday
     Writer:     Gordon Russell
     Director:   Lela Swift

        Sherriff Davenport comes out of his grave and walks away...
        Carolyn is in the drawing room of Collinwood.  Maggie comes into
     the room.  Carolyn talks to Maggie about her father Paul, saying,
     "Everyone says he came back here because he was disturbed, but I
     think he came back because he loved me".  Maggie asks Carolyn if
     anyone knows what Paul was so disturbed about. Carolyn tells her,
     "No, just that he was very frightened of something".  She vows to
     find his killer.  Maggie advises her to leave that to the police
     and tells her she should find something to occupy her mind. Carolyn
     tells her she's thinking of going back to work at the Antique Shop.
     Carolyn tells Maggie she's going out for some fresh air.  Maggie
     leaves, saying she has to go over the children's schoolwork.
        Meanwhile Sheriff Davenport is lurking about outside...
        Carolyn goes outside onto the terrace.  She hears a noise,
     and calls out, "Who's out there?"  Jeb steps out from behind some
     trees and replies, "Hello!  If I frightened the lady I humbly
     beg forgiveness!"  She angrily tells him it's very bad taste
     for him to come and try to romance her so soon after the death
     of her father.  He apoligizes, but then tells her that it's fate
     that they've met and says, "And what will happen tomorrow will be
     fate".  Carolyn asks, "What happens tomorrow?"  Jeb boldly announces
     "We're going to be married!".  Carolyn says, "You mean just like
     that, you decide we're going to be married???  That's absurd"
     and tells him, "If you don't leave, I'll have you thrown off
     the property!"  Jeb leaves.  Davenport continues to lurk around...
        Maggie is inside.  Carolyn comes back in.  She is visibly
     upset.  Maggie asks her what's the matter, but Carolyn denies
     anything is and runs upstairs.  Barnabas comes in.  Maggie asks
     him, "Did you go by the terrace on your way in?"  Barnabas replies,
     "No, I took another route.  Why?"  Maggie replies that Carolyn
     just came in from the terrace and something out there upset her.
     She tells Barnabas Carolyn plans to start working at the antique
     shop again.  Barnabas, aghast, says, "I've got to get her out of
     town!"  Maggie asks, "Can you tell me why?"  Barnabas replies,
     "No".
        Jeb returns to the antique shop.  With him is Sheriff Davenport.
     Jeb asks, "Do you know who I am?"  Davenport replies, "Yes".
     Jeb asks, "Do  you know why I've brought you back?"  Davenport
     replies, "No".  Jeb explains, "To serve me!  You are the first
     of many!"  He warns Davenport, "If you don't follow my orders,
     I'll send you back to your grave - forever!"
        Some flowers arrive at Collinwood for Carolyn.  She reads the
     card from Jeb apoligizing for being so impetuous earlier, "My heart
     and my head went in seperate directions.  I followed my heart".
     It asks her to meet him for a date tomorrow night at 8 O'clock.
     Barnabas comes into the room and remarks the the flowers are
     lovely.  Carolyn asks, "What are you doing here?"  Barnabas
     replies, "I just wanted to see if you were all right.  I see you
     have an admirer".  Carolyn replies, "Yes, but I don't know if
     I should be happy about that or not.  It's an impetous young
     man named Jeb Hawkes".  After she leaves, Barnabas thinks to
     himself, "If I don't stop Jeb, there's no hope for Carolyn!
     I must kill him!  Now!"
        At the antique shop, Jeb is talking on the phone to Phillip,
     angrily telling him, "You can stay out, OK?  I'm not a little
     boy anymore.  You don't have to look after me!"  Barnabas comes
     into the antique shop.  He tells Jeb, "I'd like to come to an
     understanding with you".  Jeb asks, "What kind?" Barnabas replies,
     "Simply that we become friends".  Jeb asks why he's decided to do this.
     Barnabas replies, "Our discord is preventing us from reaching our
     goal".  Jeb accepts his offer.  Barnabas says, "I'm so glad you've
     accepted.  Let's seal the occasion with a drink.  I think the Todds
     keep a bottle in the back room.  I'll look".  Barnabas goes into
     the back room, gets a bottle of liquor, pours out two glasses,
     then takes a small bottle out of his pockets and pours some of
     it into one of the glasses. He goes back out into the front room,
     gives on of the glasses to Jeb and toasts, "To our success!".
     Jeb suddenly says, "Wait a minute!"  Barnabas, alarmed, asks,
     "What's the matter, Jeb?".  Jeb replies, "I want to propose a toast.
     To Carolyn and her future with me!".  Barnabas repeats, "To Carolyn,
     and her future with you!"  They drink...

=============================================================================
     Episode 940
     Worldvision Rerun 714
     Tape Date:  January 12, 1970 (ABC #25-DRK-70)
     Air Date:   January 30, 1970 Friday
     Writer:     Gordon Russell
     Director:   Lela Swift

        Barnabas waits for something to happen, but nothing does.
     Jeb just says, "That was good!  Let's have another!", but Barnabas
     replies, "No, I only have one drink at a time".  Jeb starts to become
     suspicious and asks, "What's caused this mood change?" and asks,
     "Did you put something in this drink?"  Barnabas replies, "Jeb,
     you can't keep suspecting everyone of acting against you.  Why do
     you dislike me so much?  Is it because I represent a symbol of
     authority over you?"  Jeb replies, "You have no authority over me!"
     then continues, "Let's go over the plan for tonight.  You are to
     bring Carolyn here a 8 o'clock tonight and bring her upstairs to
     be prepared for the wedding".  Barnabas agrees to do so, "I'll meet
     you at 8 o'clock".
        At the old house, Julia is telling Quentin that all the children
     at the antique shop were one and the same.  Quentin is incredulous,
     "How could he have grown from an infant to a man in just a few
     weeks?"  Julia replies, "He's not human".  She tells him about the
     box Barnabas brought back and how it contained an "essence", and
     how that essence has grown and taken human form.  She tells him,
     "The Leviathans are creatures who lived before the time of Man,
     they're evil, and plan to take over the world again".  She tells
     him about their plans for Carolyn.  Barnabas comes in.  He tells
     them that he has failed, "I put enough poison in that drink to
     kill a dozen men, but it had no effect on him".  He tells them about
     Jeb's plan for Carolyn tonight and says, "We have to get Carolyn to
     leave Collinsport".  Julia asks, "How can we convince her to do that?"
     Barnabas notes, "By force, if necessary".  He suggests that they
     enlist Angelique's help and asks Julia where she is.  Julia reminds
     him that she promised not to tell, but Barnabas tells her, "Carolyn's
     life is in danger!  Where is she?"
        At Little Windward Island, Angelique is talking on the phone to
     her husband Sky, saying, "But I haven't seen you in a week!  I miss
     you!  All right, if you promise to be home after the meeting".
     The doorbell rings.  Angelique goes and opens to door.  She exclaims,
     "Barnabas!  What are you doing here?"  He replies, "I have an urgent
     matter to discuss with you".  Angelique angrily remarks, "I don't have
     to ask you how you found out where I was?  Julia must have told you!
     She gave he me her word she wouldn't! "  Barnabas replies, "I
     forced her to break her word".  Angelique begs Barnabas to leave her
     alone, saying she has a new life here, that she's happy now.  Barnabas
     tells her he needs her help.  She tells him she can't because she's
     renounced all her powers.    He tells her she won't need to,
     that Carolyn's life is in danger if she remains at Collinwood and
     she only need to let Carolyn stay at her house for a few days.
     Angelique asks, "Why is Carolyn's life in danger?"  Barnabas asks,
     "Have you ever heard of the Leviathans?"  She replies that she has,
     that they're absolutely evil and asks what he had to do with them.
     Barnabas explains...
        Quentin goes to Collinwood and thanks Carolyn for helping him
     regain his memory.  He tells her he want to tell her something and
     asks her to step into the drawing room.  There, he tells her he's
     a distant relative, the great-grandson of the Quentin Collins who
     lived in 1897.  She asks, "Did you know that when we first met?"
     He replies that he did.  She asks, "Then why did you introduce
     yourself as Grant Douglas?"  He lies that he's an author and that's
     one of his pseudonyms.  Jeb Hawkes boldly lets himself into Collinwood,
     comes into the drawing room and tells Carolyn to meet him at 8:00
     tonight at the Old House for their date.  She asks why the Old House.
     He tells her he has to pick up some stuff for the Todd's there.
        Barnabas finishes telling Angelique about his involvement with
     the Leviathans.  He tells her that until recently, they had complete
     control of him, but now he's free of their influence and will fight
     them.  Angelique asks, "If I refuse to help, will you tell my husband
     about me?"  Barnabas replies, "No, I'll leave you in peace".
     Angelique agrees to help, saying Sky will be away for a week and
     Carolyn can stay during that time.  She warns him that although
     she has renounced the use of all her powers, she still has all of
     them, that if he does anything to ruin he life, he'll be sorry...
        At Collinwood, Barnabas goes over his plan with Julia and Quentin.
     They'll lie to Carolyn that a close friend of Paul's has arrived in
     Portland and needs a ride to Collinwood, that Julia is going to go and
     pick him up and they want her to come along to keep Julia company.
     The car is to break down at an appointed spot... Quentin interrupts
     and asks why they don't just let him go to the antique shop and
     take care of Jeb personally.  Barnabas tells him that that would
     be unwise, that while Jeb can turn from his real self to his human
     form anywhere, he can only change from his human form into his
     Leviathan form in a special room at the shop, thus it would be
     foolhardy to confront him there.  They look at clock in the foyer
     and see that it's 6:45.  They wonder where Carolyn could be.
     The phone rings.  It's Jeb, for Barnabas.  He tells her that
     he didn't trust him and changed his plans for Carolyn, that
     he called her and told her to come meet him at the shop at 7 o'clock.
     At the antique shop, Carolyn arrives.  Jeb gloats to Barnabas that
     Carolyn is there and hangs up.
         At the antique shop, Carolyn asks Jeb what his plans for the
     night are.  He tells her he has to wait awhile for the Todds to come
     back.  He picks up a porcelain figurine and drops it onto the floor,
     letting it break.  Carolyn, aghast, notes, "That's an antique!"
     He tells her that he's a free spirit and does whatever he feels like.
     He gives her a similar figurine and tells her to "liberate" herself
     by letting it drop.   Carolyn lets it drop... Jeb pours two drinks,
     drugging one of them.  They drink. Carolyn immediately loses
     conciousness.  Jeb picks her up says, "You're all mine, Carolyn!
     This is the start of your new life..."

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