Dark Shadows
September 1969

        Episode 831
        Worldvision Rerun 609
        Tape Date:  August 22, 1969 (ABC #176-DRK-69)
        Air Date:   September 1, 1969 Monday
        Writer:     Violet Welles
        Director:   Henry Kaplan

           Trask orders Magda to leave.  She does.  He then unshackles
        Quentin and tells him, "I'm taking you to the police so they
        can see the tranformation too".  Quentin replies, "That wouldn't
        be such a good idea.  I have the confession you and Evan Handley
        signed to the murder of your wife Minerva.  If you take me to
        the police, I'll give it to them".  Trask points the gun at
        Quentin's head and demands, "Where is it?", but Quentin refuses
        to tell him.  Trask pistol whips Quentin and knocks him out, then
        searches the room for the confession, but does not find it.  
        Finally, he looks inside Quentin's coat pocket and finds it there.
           Magda is downstairs, not knowing what to do.  Angelique walks
        in through the front door.  Magda tells her what happened.
           Trask takes Quentin down into the cellar and locks him there.
        (Why there's a jail cell down in the cellar is not explained).
        He tells Quenitn, "Due to the delay caused by my having to find
        the confession, there isn't time to take you to the police, so
        I'm locking you in here.  I'll watch the transformation, then
        get the police so they can watch you tranform back in the morning".
           Angelique and Magda go up to Quentin's room, but find no one
        there.  Angelique tells Magda to go and get something belonging to
        Trask. Angelique uses a magic locket to see where Trask and Quentin
        are.  Magda returns with Trask's reading glasses.  Angelique tells
        Magda, "I've found where Trask and Quentin are.  They're in the
        jail cell in the cellar". She then uses the locket and the reading 
        glasses to cast a spell on Trask to causing him to hear her voice in 
        his head giving him orders.
           Trask is in the cellar with Quentin.  Suddenly, Trask stiffens,
        going into a trance where he hears Angelique's voice in his head
        giving him orders.  She orders him, "Go up to the drawing room".
        He obediently goes up to the drawing room and sits down at the
        desk.  Continuing to follow Angelique's orders, he takes out a
        sheet of paper and writes a note confessing to being the
        werewolf and saying suicide is the only answer.  
           Count Petofi comes in through the front door, bearing the
        finished portrait of Quentin.  Hearing Petofi coming, Trasks
        hides the pistol with which he was going to commit suicide.
        Petofi goes into the drawing room and realizes what's happening.
        He rushes out into the foyer.  Magda comes out from the stair
        under the stairs and, seeing Petofi, lets out a gasp of horror
        and tries to flee, but he grabs her and demands to know where
        Angelique is.  She lies, "I don't know", but Petofi replies,
        "I know you're lying!", and starts to strangle her.  Magda
        tells him, "She's in Quentin's room!"
           Angelique continues to give Trask orders, telling him, "Raise
        the gun to your head!".  He does so.  She then tells him, "On
        the count of three, you will shoot yourself", then starts
        counting, "One...Two...", but suddenly, Petofi bursts into the
        room and stops her.
           Downstairs, the spell broken, Trask comes out of the trance.
        He reads the note he has written, horrified at what it says,
        crumples it up and throws it into the fire.
           Magda is down in the cellar.  She takes the keys to the
        cell from the wall and prepares to release Quentin, but Trask
        comes back down holding the gun and orders her to leave.  She
        does so.  Trask, thinking it was Quentin who had put the 
        spell on him, tells him, "Whatever it was you tried to do to me,
        it didn't work, then looks at his watch and remarks, "In one
        minute, the moon will rise and I'll see you tranform".
        Episode 832
        Worldvision Rerun 610
        Tape Date:  August 25, 1969 (ABC #177-DRK-69)
        Air Date:   September 2, 1969 Tuesday
        Writer:     Sam Hall
        Director:   Henry Kaplan

           Quentin starts to feel the werewolf pains, but suddenly,
        they stop, and nothing happens.  Quentin tells Trask, "You
        were wrong about me being a werewolf".  Trask, certain that
        he was not wrong, replies, "My watch must be wrong. I go
        outside to see if the moon is out yet", and goes upstairs.
        A few minutes later, Trask returns and dejectedly says,
        "The full moon has already risen.  I must have been wrong
        about you" and lets Quentin out of the cell.
           At the Collinsport Inn, Amanda again tells Tim that she
        wants to leave Collinsport.
           Trask goes out into the wood and buries "his" confession
        to having murdered Minerva.
           At Collinwood, Quentin comes back upstairs and runs into
        Petofi.  Quentin remarks, "You don't seem to be very surprised
        to see me".  Petofi replies, "You live in this house.  Why should
        I be surprised to see you here?".  Quentin exlcaim, "Even on a  
        night with a full moon?  What happened tonight? What do you have
        to do with it?"  Petofi coyly replies, "Maybe I had something to
        do with it, maybe I don't.  Perhaps you'll be getting the bill
           At the Inn, Tim manages to convince Amanda to live at 
           Amanda goes to Collinwood and tells Trask that she has
        decided to accept his offer and live there.  Trask asks who
        the man who's been stalking her is.  She replies, "I'll never
        tell you.  If I did, you might be tempted to confront him,
        and I'd never forgive myself if you did and he harmed you".
        Trask tells her, "I'll tell the housekeeper to get a room
        ready for you" and leaves.  While he is gone, Amanda telephones
        Tim and tells him, "I've changed my mind.  I can't go through
        with it.  I can't stand being so close to Trask".  Tim starts
        to argue with her, but Amanda hears someone coming and quickly
        hangs up. But it is Quentin and not Trask who comes into the
        room.  They make small talk.  It is apparent that they have
        become smitten with one another.  After Quentin leaves the
        room, Amanda telephones Tim again and tells her that she's
        changed her mind again and asks him to have her luggage
        sent over to Collinwood.  Trask returns and sees Amanda on
        the phone.  He asks her what she's doing.  Amanda replies
        that she's just calling the Collinsport Inn to tell them
        to send her luggage over.
           Quentin is walking back up to his room.  He thinks to
        himself, "I shouldn't have let myself weaken and fall in love
        with that woman.  If this had been an ordinary night with
        the full moon out, I would have been a werewolf and would have
        killed her".  When he gets to his room, he finds an easel
        there with a painting on it, the painting covered with a cloth.
        He reads the nameplate, which is visible on the bottom:
        "Quentin Collins, 1897".  He lifts the cloth covering the
        painting and is shocked to see that it is a portrait of
        a werewolf wearing a suit...
        Episode 833
        Worldvision Rerun 611
        Tape Date:  August 26, 1969 (ABC #178-DRK-69)
        Air Date:   September 3, 1969 Wednesday
        Writer:     Sam Hall
        Director:   Henry Kaplan

           Quentin barges into Charles Delaware Tate's studio and
        angrily asks, "Why did you paint a portrait of me with a
        wolf's head?"  Tate replies, "I have no idea what you're
        talking about".  He shows Quentin some prelimary sketches
        of the portrait he had painted and says, "This is what I
        painted".  All the sketches are of Quentin as a man. Quentin
        asks, "Is that what the painting looked like when you put it
        in my room?"  Tate replies, "I didn't put it in your room.
        Petofi did".  Quentin tells Tate, "Come with me and take a look
        at it!"
           At Collinwood, Charity Trask walks down the stairs into
        the foyer.  Hearing Quentin's music coming from behind the
        closed drawing room doors and thinking he's inside, she primps 
        in front of the mirror then goes into the drawing room.  But
        instead of Quentin, she finds Amanda Harris in there.  Charity
        becomes angry and accuses Amanda of trying to steal Quentin
        from her.  She asks Amanda, "What are you doing here, anyway?"
        Amanda replies, "I live here now".  Charity is shocked and asks,
        "And who's letting you live here?"  Amanda replies, "Your father".
        Charity, shocked, shouts for her father.  Gregory Trask comes.
        Charity asks, "Are you letting her live here?"  Trask replies,
        "I am", and, seeing that Charity obviously doesn't like the
        idea, adds, "It's none of your business.  Go to your room".
        Charity refuses to do so, so Trask drags her upstairs to
        her room.
           Quentin takes Charles Delaware Tate up to his room and
        shows him the portrait.  Tate is shocked.  It is, as Quentin
        had said, the portrait of a werewolf.  Tate, puzzled, tells
        Quentin, "I have no idea how this happened" and leaves.
           Gregory Trask is in the drawing room talking to Amanda.
        Seeing Charles Delaware Tate coming down the stairs, he
        excuses himself and goes out into the foyer, closing the
        drawing room doors behind him.  He asks Tate, "What are you 
        doing here?"  Tate lies, "I was upstairs looking for you to
        see about that painting of your daughter you wanted to have
        done".  Trask replies, "It's not a good time for that right
        now. Charity is not well".  He thinks for a moment then tells
        Tate, "But there is someone I would like a portrait of", and
        takes him into the drawing room.  Tate is shocked to see
        Amanda standing in there.  Trask introduces them to one another
        and leaves, saying, "I'll leave you two to discuss the arrangements"
        Tate tells Amanda, "I have the strange feeling that we've met
        before", and asks, "Do you have the same feeling?"  Amanda replies,
        "It's strange, but Count Petofi also asked me if I had ever met
        you. At the time, I couldn't be sure if I had ever met a Charles
        Delaware Tate, but now that I see you, I'm certain that I haven't"
        Tate asks her about her past, where she was born, etc, but Amanda
        replies, "I'd prefer not to discuss that.  It might seem strange,
        but it's a subject I'd prefer not to discuss".
           Trask goes up to Charity's room.  He and Charity have a furious
        argument about Amanda living at Collinwood.  Charity angrily tells
        Trask, "If she's going to live here, I'm moving out of Collinwood!"
           Charles Delaware Tate finally manages to convince Amanda to
        talk about her past.  She tells him, "It's strange, but I can't
        remember much about my past.  The first memory I have is of
        walking down a street, fully grown.  It was March 11, 1895. 
        I remember the date because I found a newpaper with the date
        on it". This seems to stike a chord with Tate.  He tells 
        Amanda, "I've got to check something out", abruptly excuses
        himself and leaves.
           Charity comes down into foyer, packed to leave.  Seeing 
        Amanda in the foyer, she says, "You may have won the battle,
        but you haven't won the war!", then happily tells her, "You'll
        find your stay at Collinwood a horrible experience!" and storms
        out the front doors.
           Charles Delaware Tate goes back to his studio and searches
        furiously through his sketches, looking for the first sketch he
        had ever made of his "ideal woman".  He finds it, and sees that
        it is dated March 11, 1895.  He finds this too incredible to
        believe and convinces himself that it must be a coincidence.
        He tells himself, "I've got to take my mind off of this.  I'll
        sketch something, anything".
           Quentin walks into the drawing room and finds Amanda there.
        He turns on his music, and they dance. Eventually, they end up
        kissing.  Trask walks into the room and exclaims, "Miss Harris!" 
        Quentin and Amanda quickly separate.  Trask angrily orders
        Quentin to leave.  Quentin does so.  Trask angrily tells Amanda,
        "I will help you fight your attraction to unsuitable men.  From
        now on, I will see to it that you and Quentin are never alone
        in the same room again!"
           Charles Delaware Tate finishes his sketch, a still life of
        some objects he has placed on a table - a potted fern, a bowl
        of fruit, and some loose fruit lying about on the table.  He
        looks at the sketch, decides, "It doesn't look quite complete",
        sketches in a vase from his imagination, and says to himself,
        "That looks much better".  But when he looks up at the table,
        he finds that the vase he had made up is now actually sitting
        there.  He goes to the table and picks it up.  It isn't his
        imagination.  It is real...
        Episode 834
        Worldvision Rerun 612
        Tape Date:  August 27, 1969 (ABC #179-DRK-69)
        Air Date:   September 4, 1969 Thursday
        Writer:     Sam Hall
        Director:   Lela Swift

           Petofi comes to Tate's studio and finds Tate there holding
        a vase with a strange expression on his face.  Petofi remarks,
        "Nice vase.  Where did you get it?"  Tate lies, "I don't know
        where it came from.  It came with the studio furnishings".
        Petofi takes it, examines it, and says, "Odd. No maker's mark".
        Tate asks Petofi, "Why are you here?"  Petofi replies, "I'm
        expecting a guest here.  I wrote a letter to him using your
        name and address asking him to come here".  Tate asks, "Why
        did you do THAT?".  Petofi replies, "I need to talk to this
        person, but he would not come if he knew it was I who was 
        waiting here for him".
           Barnabas and Magda go to Quentin's room.  Magda tells Barnabas
        about the surprising fact that Quentin did not tranform into
        a werewolf the last night of the full moon.  She also tells him
        that she has learned the date of Quentin's death, that Charity,
        possessed by the spirit of Pansy Faye, had predicted that 
        Quentin would die on September 10 and be found dead in the
        tower room. Barnabas tells Magda, "I must go to the future
        to learn from Quentin's ghost what killed him!".  He tells
        her that the rods which he used to travel to the past were
        found in Quentin's room in 1969 so must be there now.  They
        start searching for them.
           Petofi's mystery guest arrives at Tate's studio.  It is
        Edward Collins.  Petofi asks Tate to leave so he can talk
        with Edward in private.  Tate does so.  But Edward angrily
        tells Petofi, "I don't want to talk to someone who's cursed
        my family, who came to me under an assumed name!"  Petofi
        lies, "I have nothing to do with the curse, and I only came
        to you under an assumed name because the gypsies had something
        valuable of mine I came to retrieve, and it would have put them
        on alert had I used my real name".  Edward replies, "I don't
        believe you", but Petofi continues, "I asked you here because
        I want to join forces with you against a common enemy - Barnabas
        Collins".  Edward pretends not to know what Petofi is talking
        about and says, "Why should I consider Barnabas Collins an
        enemy of mine?"  Petofi replies, "Because he's a vampire".
        Edward, shocked, asks, "How did you find out?"  Petofi replies,
        "It's not important how I found out, what's important is that
        I want to help you hunt him down.  Trust me.  I could easily
        have gone to the police with this information, but I did not.
        Since you did not go to the police yourself, I assumed that
        you wanted to keep this a family secret.  I respect that wish".
        Edward, impressed with the logic of this, decides to trust
        Petofi, but when Petofi suggests they go question Magda, 
        Edward declines his offer of help, saying, "I will go to
        the old house and question her alone.  This is something
        I must do myself".  Petofi warns Edward to be careful and
        gives him a gun loaded with silver bullets to protect himself.
           While searching for the I-Ching rods, Magda and Barnabas
        find Quentin's portrait sitting covered on an armchair.  They
        uncover it and are shocked to see that it is a portrait of
        a werewolf in a suit.  They examine the portrait and find
        that the nameplate says, "Quentin Collins, 1897" and the
        portrait is signed "Charles Delaware Tate".  Barnabas tells
        Magda, "I'm certain Tate doesn't know Quentin's secret" and
        theorizes that Petofi is behind this for some nefarious
        reason.  They continue seaching the room and finally find
        the rods on the top shelf of the armoire.  Barnabast tells
        Magda, "I think it would be best if I used them in the same
        place I did in 1969, the cellar of the old house".
           Barnabas and Magda go to the cellar of the old house.
        Barnabas tells Magda what will happen when he uses the rods,
        that his body will remain here while his spirit travels into
        the future.  He tells her that while he does this, she is to
        go to Collinwood and warn Quentin to leave Collinwood and
        not return until after September 10.  Magda leaves to do so.
           Barnabas concentrates on the rods.  After a while, his
        spirit leaves his body.  He sees the door and starts going 
        towards it...
        Episode 835
        Worldvision Rerun 613
        Tape Date:  August 28, 1969 (ABC #180-DRK-69)
        Air Date:   September 5, 1969 Friday 
        Writer:     Gordon Russell
        Director:   Lela Swift

           Edward goes to the old house to find Magda.  Not finding
        her upstairs, he goes down into the old house, where he finds
        Barnabas sitting at a table.  Meanwhile, Barnabas's spirit
        gets to the door, and it opens by itself for him.  Edward,
        seeing the rods and realizing that they're some sort of
        occult paraphanalia, angrily sweeps them off the table onto
        the floor.  The door slams shut on Barnabas' spirit just as
        he is about to go through.
           In 1969, Barnabas' body suddenly comes to life, then gasps
        and vanishes.  Professor tells a stunned Julia, "This can only
        mean that Barnabas has died in 1897".
           In 1897, Barnabas regains consciousness and finds himself
        locked in a cell in the cellar of the old house.  Edward
        tells Barnabas, "I couldn't bring myself to shoot you, so
        I have decided to let nature take its course.  I will keep
        you in this cell and let the sunlight destroy you" and leaves.
        Barnabas looks around and notices that the writing desk in the
        cell with him is the desk he had Willie move up to the living
        room when they renovated the old house in 1967.  He writes 
        a letter to Julia in which he tells her his plan has failed 
        and summarizes what happened, telling her that he's learned
        that Quentin is to die in 5 days on September 10, 1897, that
        he was trying to go to the future using the rods to find out
        from Quentin's ghost what killed him, but that Edward had
        learned his secret and locked him in a cell in the cellar of
        the old house.  He hides the letter in a secret compartment 
        in the desk.
           In 1969, Amy is playing in the living room of the old house.
        She plays around the desk, finds the secret compartment and
        the letter.  
           Julia, devastated by Barnabas' presumed death, comes upstairs.
        She sees the letter Amy found. It is addressed to her, Julia 
        Hoffman and is dated September 5, 1897.  She reads it and
        rushes down into the cellar to show it to Professor Stokes.
        He reads it, then asks Julia, "Do you know something about
        Barnabas you're not telling me?"  Julia asks, "What do you
        mean?"  Stokes replies, "I'm puzzled by a passage in the
        letter in which Barnabas writes, 'Edward has become an implacable
        enemy since learning my secret'.  What secret is Barnabas talking
        about?"  Julia lies, "I would assume it's the fact that he's
        from the year 1969".  Stokes, not completely convinced, remarks,
        "But I don't see why that would make Edward an implacable enemy".
        Julia tells Stokes, "I plan to do what Barnabas had planned to
        do, learn from Quentin's ghost what killed him, then travel into
        the past myself to help Barnabas".  She tells Stokes, "I'm going
        to take Amy with me to Collinwood to contact Quentin's ghost.  
        Amy is in no danger.  It's David the ghost really wants". 
           Julia goes upstairs and manages to convince a very reluctant
        Amy to go to Collinwood with her to contact Quentin by saying,
        "It's the only way we'll be able to help David".  They go to
        Collinwood.  In the foyer, Amy calls for Quentin's ghost to
        appear.  Quentin's music starts playing.  Amy, frightened,
        runs out of the house, leaving Julia alone in the foyer.
        Episode 836
        Worldvision Rerun 614
        Tape Date:  August 29, 1969 (ABC #181-DRK-69)
        Air Date:   September 8, 1969 Monday
        Writer:     Gordon Russell
        Director:   Lela Swift

           Julia calls for Quentin to show himself, but nothing happens.
        The music stops.  Julia wanders through the house shouting,
        "Quentin! I have something important to discuss with you!"
        Eventually, she goes into the tower room.  There, Beth's ghost
        appears to her and tells her that Quentin's ghost will not
        appear to her, only to David.  Julia asks why Quentin is so
        fixated on David.  Beth replies that it's because Quentin is
        convinced that David is a reincarnation of Jamison, someone
        who had loved him in the past but eventually rejected him.
        Julia tells Beth, "I can go back into the past and change
        things, but I'll need to know how Quentin died and who killed
        him".  Beth tells her the story in the following flashback:
           Beth learns from Angelique that Quentin is planning to
        marry Angelique.  Devasted by the news, Beth goes to her
        room, gets a bottle of poison, and prepares to commit suicide
        by pouring it into a glass of water and drinking it.  She is 
        interrupted when Jamison comes running excitedly into the room 
        telling her, "I've finally finished the puzzle you gave me!" 
        Jamison sees the poison and the glass of water Beth had planned
        to put it in.  He realizes that Beth was about to commit suicide
        and asks why she would want to do so.  Beth breaks down in tears
        and tells him that Quentin is going to marry Angelique instead of 
        her.  Jamison leaves, taking the poison with him to prevent
        Beth from killing herself with it.  Beth goes to the bureau,
        takes a revolver out of a drawer, and looks at it.
           Jamison goes to the drawing room and finds Quentin there.
        He tells Quentin, "I know you're planning to marry Angelique
        instead of Beth.  She almost killed herself because of it!".
        Quentin is shocked.  Jamison announces, "I hate you!" and
        runs from the room.  
           Beth leaves her room and goes to the drawing room. Quentin
        tries to explain his actions to her, but she pulls out the
        gun and shoots him.  Wounded, Quentin runs from the room 
        and starts up the stairs.  Beth follows him.  They end up
        in the tower room.  There, Beth shoots Quentin two more times,
        killing him.
           After hearing Beth's story, Julia goes back down into the
        drawing room.  There she finds David - up an conscious - with
        Quentin's ghost.  She shouts to David, "Get away from Quentin!
        He wants you to die!"  David screams, "I don't want to die!",
        and runs to Julia, then collapses.  Julia feels his pulse and
        is relieved to find that he's alive.  There is the sound of
        someone coming in through the front doors, and Quentin's ghost
        vanishes.  It is Stokes who has come.  He asks Julia, "What
        happened?".  Julia tells him that Quentin's ghost was here with
        David.  Stokes asks, "Is the boy all right?"  Julia replies,
        "Yes", but then, feeling for David's pulse to make sure,
        exclaims, "Oh no! He's dead!"
        Episode 837
        Worldvision Rerun 615
        Tape Date:  September 1, 1969 (ABC #182-DRK-69)
        Air Date:   September 9, 1969 Tuesday
        Writer:     Violet Welles
        Director:   Lela Swift

           Julia uses the rods.  Her spirit leaves her body. She
        sees the door and goes through it.  Inside, she sees another
        door with a circular pattern on it.  She goes in this door
        and finds another door, this one with a rectangular pattern
        on it.  She goes in this door and finds herself in a room.
        Suddenly, she hears a beeping sound and the room starts to 
        swirl around her. She cries to Barnabas for help.  Barnabas,
        in the cell, hears this but cannot identify the voice.  Julia
        loses consciousness and collapses.  Just as she collapses,
        the room stops swirling, and she is outside the front doors
        of Collinwood.  
           Inside Collinwood, Edward walks into the drawing room. He
        asks Charity, "Why are you here?"  Charity replies, "Midnight has
        just passed. It's now September 10.  I have to warn Quentin
        about my vision that he's going to be killed today".  Edward, 
        thinking it all a lot of nonsense, tells Charity, "Quentin 
        probably won't be returning home tonight" and asks her to leave,
        promising to tell Quentin she was here when he returns.
        She tells Edward, "You can tell him I'll be at the Blue Whale",
        and goes into the foyer, headed for the front door.  She opens
        the front doors, sees Julia lying there, and shouts, "There's
        a strange woman out here!" Edward comes rushing out to see.
        Charity looks at Julia and wonders, "I wonder where she came
        from", then remarks, "Her clothes are hardly decent!".  Edward
        picks Julia up and is about to take her into Collinwood when
        Charity suddenly exclaims, "Don't! I can see in her face that
        she's the one who's going to kill Quentin!", but Edward,
        continuing to think Charity's psychic powers a lot of nonsense,
        disregards her warning and takes Julia into the drawing room
        and places her on the couch.  He tells Charity to leave, then
        closes the drawing room doors.  He revives Julia and asks her,
        "Who are you? Where did you come from?", but Julia, appearing
        very disoriented, just replies, "Shapes, swirling all around me!"
           Quentin comes into the drawing room and finds Edward tending
        to Julia.  Edward tells Quentin, "She was found outside the
        door.  She appears to be in a state of shock.  Watch over her
        while I go and call Dr. Brooks" and leaves the room to do so.
        (Why not use the phone in the drawing room? Perhaps he has to 
        look up the number in the study)  While Edward is gone, Quentin
        tries to talk to Julia, but she doesn't respond.  He goes through
        her pockets to see if she has any identification and finds the
        letter.  He is puzzled by the fact that the letter appears 
        extremely aged, but has a recent date on it.  He reads it and
        learns three things from it that shock him:
        1) It is from Barnabas.
        2) Barnabas says in the letter that he has been locked in
           a cell in the cellar of the old house by Edward
        3) He, Quentin is to die today, September 10, 1897.
           Quentin hears Edward coming back and quickly pockets the
        letter.  He tells Edward, "I have something important to do"
        and leaves.
           Quentin goes to the cellar of the old house and finds
        Barnabas locked in a cell, just as the letter had said.
        Barnabas exclaims, "Hurry and let me out before Edward comes
        back!".  Quentin replies, "Don't worry about Edward. He's
        occupied with something right now".  He gives Baranbas the
        letter and asks him to explain it.  Barnabas, shocked, asks,
        "Where did you get this?"  Quentin replies, "I found it in
        the possesson of a strange woman who was found at Collinwood
        in a state of shock".  Quentin describes the woman.  Barnabas
        recognizes it as Julia and tells Quentin, "It's Julia Hoffman.
        She's a friend of mine, a woman from my time".  Quentin asks, 
        "What does this letter mean when it says I'm going to die today?"  
        Barnabas tells him that Charity had predicted it.  Quentin laughs
        and dismisses the warning, thinking, like Edward, that Charity's 
        supposed powers are a lot of fakery.  He lets Barnabas
        out of the cell.  Barnabas tells Quentin, "I'm going to the
        rectory.  You must find a way to bring Julia to me".
           At Collinwood, Edward continues to try to talk to Julia,
        saying, "The doctor found nothing wrong with you", but Julia,
        still in a state of shock, does not reply.  Quentin returns.
        Edward tells him, "Watch over the woman.  I have business
        to attend to" and leaves.  
           Edward goes to the cellar of the old house and finds the
        cell empty.
           Quentin takes Julia to a deserted rectory.  Barnabas remarks,
        "She must have something important for me" and tries to talk to Julia,
        but finds that she's in a state of shock and doesn't reply.
        Dawn approaching, Barnabas tells Quentin, "I must go now.."
        Episode 838
        Worldvision Rerun 616
        Tape Date:  September 2, 1969 (ABC #183-DRK-69)
        Air Date:   September 10, 1969 Wednesday
        Writer:     Gordon Russell
        Director:   Lela Swift

           Quentin, in spite of the fact that he thinks little of
        Charity's clairvoyant abilities, has decided to play it safe
        and stay in his room until September 10th ends, just in case.
        Unfortunately, Jamison comes to the room and has a talk with
        Quentin.  This talk raises Quentin's spirits so much he decides
        to forget all the clairvoyant nonsense and leave his room.
           What Beth's ghost told Julia happened starts to happen...
           But just as Beth is about to shoot Quentin in the drawing
        room, Count Petofi comes in and stops her.  He tells Quentin
        to go to his room. Quentin leaves.  Petofi advises Beth to
        leave Collinwood.
           Petofi goes up to Quentin's room and tells Quentin, "There's
        a price both for saving your life just now, and for curing you
        of the werewolf affliction".  Quentin is dubious that Petofi
        had anything to do with curing him of the werewolf affliction.
        Petofi asks, "Have you seen the portrait I had painted of you?"
        Quentin replies, "Yes, but it was the portrait of a werewolf,
        not me".  Petofi tells him, "Look at it again".  Quentin removes
        the cloth from the covered portrait.  He is shocked to see that
        it is now a portrait of him, not a werewolf.  Petofi tells Quentin,
        "From now on, it will be the portrait that will turn into a wolf
        when the moon is full instead of you.  Now my price.  I want you
        to learn the secret of time travel from Barnabas"
        Episode 839
        Worldvision Rerun 617
        Tape Date:  September 3, 1969 (ABC #184-DRK-69)
        Air Date:   September 11, 1969 Thursday
        Writer:     Sam Hall
        Director:   Henry Kaplan

           Quentin is in the woods, pondering whether he can betray
        Barnabas.  He concludes that he must if he is to avoid Petofi
        turning him back into a werewolf.
           At the rectory, Julia is lying in a bed.  Barnabas is trying
        to talk to her and snap her out of her state of shock, with 
        no success.  Quentin comes walking in.  Barnabas tells him,
        "I'm glad to see you're still alive".  The clock reads 1:00 AM.
        It is now September 11, 1897.  Quentin tells Barnabs, "But 
        something DID happen.  Beth tried to kill me, but Petofi 
        intervened and saved my life".  Barnabas warns Quentin, "Be
        careful.  Petofi never does anything for anyone without an
        ulterior motive.  He must want something from you..."
           Julia starts to talk deliriously, mentioning, "Carolyn,
        Elizabeth and poor Roger". Barnabas realizes that she must
        be trapped between the past and the future and must be
        seeing some scene from the future and asks her what she sees.
        She describes the following scene:
           Roger comes through a door on which there is a funeral
        wreath.  Inside the room he walks into David Collins is
        lying on a table surrounded by flowers and candles.  Roger
        mourns over his son.  Suddenly, David opens his eyes, sits
        up and says, "They're gone! Quentin and Beth are gone!"
           Having heard Julia's description of this future event,
        Quentin asks, "What did she mean when she said Quentin is
        gone?"  Julia snaps out of her state of shock and stares at
        Quentin.  Barnabas tells her, "You're now in the year 1897.  
        That's the real Quentin you're looking at, not his ghost".
        Julia notes, "He looks just like his ghost except there's
        no look of evil on his face".  Barnabas explains to Quentin
        about his ghost in the future, and tells him that David's
        comment that his ghost was no longer there must have meant
        it disappeared once the past had changed and Petofi had stopped 
        Beth from murdering him. Quentin, puzzled, says, "But 1969 is
        72 years away.  Even if Beth didn't kill me, I'm certain I'll
        have died before then and still be a ghost".  Barnabas and
        Julia have no explanation for this.  Barnabas tells Quentin,
        "You must have had a falling out with Jamison as predicted".
        Quentin admits that this is true.  Barnabas tells him that
        his ghost had an obsession with possessing David, whom he
        saw as a reincarnation of David, because he never had a chance
        to reconcile with Jamison due to the fact he was killed, that
        now he has a chance to patch things up with Jamison, his
        future obsession with David will never occur.  Quentin asks,
        "And why would Beth's ghost be haunting the future?"  Julia
        explains, "Beth's ghost told me she committed suicide shortly
        after killing you".
           After Quentin leaves, Julia tells Barnabas, "We can leave
        now that David is saved and our job is done", but Barnabas
        refuses to do so.  He tells her, "We must stay to help
        Chris Jennings.  I'm sure he's a descendant of Quentin Collins
        from his daughter". He tells her that by removing the curse
        from Quentin, they will save all his male descendents, including
        Quentin, and also stop whatever nefarious plan Petofi may have.
        Julia tells Barnabas about his body disappearing from 1969.
        Barnabas asks, "When did this happen?"  Julia replies, "Just
        before I found your letter".  Barnabas theorizes that it must
        have happened when Edward upset the rods.  Julia tells Barnabas
        that she's afraid he won't be able to get back to the future
        now.  Barnabas asks Julia to help him to be able to function
        more efficiently by using her medical knowledge to remove the 
        vampire curse from him again and allow him to move about in 
        the daylight. He gives her an 1897 dress and tells her to go
        to Evan Handley - whom he tells her practices the occult - and
        lie that she is a member of the New York Coven and thus get him
        to help procure the necessary medical supplies.  
           At Collinwood,  Edward goes to Quentin's to complain that
        he's playing his music too loudly.  He finds Quentin drunk and
        remonstrates him.  Quentin replies, "I'm drunk for a good 
        reason. I've developed a conscience and I'm sorry for something
        I've done".
           Julia returns to the rectory, mixes some medicine and injects
        Barnabas with it.  She complains, "I couldn't get all the 
        necessary ingredients and had to make some substitutions,
        so I'm not sure it'll work".  Barnabas tells her he has to go 
        see Quentin.  Julia tells him, "You can't. There's a second
        injection I have to give you.  I can't give it to you just
        yet because there's a waiting period between the two injections.
        You'll have to wait", but Barnabas replies, "I'll be back for
        the second injection. It's urgent that I see Quentin now".
           Barnabas goes to Quentin and says, "I noticed you were acting
        very strangely earlier.  Is there something going on between
        you and Petofi you haven't told me about?"  Quentin denies that
        there is.  Barnbas is dubious and  notes that the portrait has now 
        changed from werewolf to Quentin and tells Quentin, "I'm sure
        Petofi has something to do with your not turning into a wolf
        during the last full moon", but Quentin denies it.
           Barnabas returns to the rectory.  There appears to have been
        a struggle there.  Julia is gone. 
        Episode 840
        Worldvision Rerun 618
        Tape Date:  September 4, 1969 (ABC #185-DRK-69)
        Air Date:   September 12, 1969 Friday
        Writer:     Sam Hall
        Director:   Henry Kaplan

           Julia is being held prisoner in the cellar of the mill building,
        having been kidnapped and brought there by Aristede.  Petofi tells
        Julia, "I know all about you, how you were found unconscious in 
        front of Collinwood wearing strange clothing. I know that you
        are a friend of Barnabas Collins' from the future".  He reveals
        that it was Quentin Collins who told him all this. He tells her,
        "I kidnapped you for one and only one reason: to learn the secret
        of time travel you and Barnabas used".  Hearing someone coming,
        he touches her throat with the hand to make her mute and locks
        her in the other room.  Charles Delaware Tate comes down the
        stairs into the room.  Tate wonders to himself, "I wonder if
        Petofi knows anything about my strange powers to create things
        by painting them".  Apparently not wanting Petofi to know about
        this power if he doesn't know already, he asks Petofi in cryptic
        terms, "What exactly did you do to me?  When you gave me the 
        talent to paint, did you give me any other powers?"  Petofi 
        laughs, "No! Isn't one talent enough?"                      
           At Collinwood, Quentin finds Amanda in the drawing room 
        and warns her against living with Trask.  He tells her, "It's
        not wise to speak about it here", and makes an appointment
        to meet with her later.  Charles Delaware Tate barges in to
        see Amanda.  Quentin leaves.  Tate tells Amanda, "I'll tell
        you why you don't remember anytihing from before March 10, 1895.
        I created you by painting you that day". He tells her about the
        drawing he's been making of her.   Amanda replies, "You
        must be crazy!!!"  He tells her, "I'll prove it to you", then
        recounts what happened when he drew the still life and added
        the vase, and tells her he'll do the same thing here.  Sweeping
        everything off a small table, he tells her, "I'll sketch the
        table with a small goblet on it, and a goblet will appear on
        the empty table top".  He quickly sketches a goblet on a
        tabletop, but nothing appears.
           Charles Delaware Tate having left the mill building, Petofi
        uses the hand to restore Julia's voice.  He demands to know
        the method she and Barnabas used to travel through time.  She
        remains silent, refusing to tell him. Petofi threatens to use
        the hand to turn her face into something hideous.  Julia breaks
        down and tells him about the rods.
           Petofi goes to Quentin and asks for the rods.  Quentin tells
        him, "Barnabas took them.  They must still be in the cellar of
        the old house".  Quentin tells Petofi, "I really feel bad about
        having betrayed a friend like Barnabas.  I consider my debt to
        you paid!", but Petofi replies, "No, you haven't finished paying
        it yet.  In fact, you've hardly begun to pay it..."
           Petofi returns to the mill building with the rods.  He asks 
        Julia how to use them.  She tells him.  Sitting in front of the
        rods, Petofi concentrates and sees the door. The door opens
        and he goes through.  Suddenly, a man holding a scimitar 
        appears in front of him...
        Episode 841
        Worldvision Rerun 619
        Tape Date:  September 5, 1969 (ABC #186-DRK-69)
        Air Date:   September 15, 1969 Monday
        Writer:     Gordon Russell
        Director:   Henry Kaplan

           Petofi uses his powers and orders the scimitar-armed figure
        to disappear.  It does.  
           Seeing that Petofi is in a deep trance, Julia tries to 
        run upstairs and escape, but is stopped by Aristede, who brings 
        her back down into the cellar. Seeing Petofi in the trance,
        he asks, "What's happened to him?"  Julia explains.
           Petofi now finds himself in a sumptiously furnished room.
        He hears strange singing in a foreign tongue.  Petofi exclaims,
        "Oh no, it's the Etotsi council, and they've found me!"  He tries
        to flee, but when he opens a door, he sees a giant face of
        Barnabas staring at him, fangs bared. He closes the door and
        opens another but finds flames.  He closes that door too.
        Suddenly, he finds that he's lost control of the hand. It grabs
        his throat and starts to strangle him.  
           In the cellar, the body of Petofi grabs its own throat and
        starts to strangle himself.  Aristede tries to remove the hand
        from Petofi's throat.  After a great struggle, he finally 
        manages to do so.  Petofi collapses.
           Beth meets Barnabas in the woods, apparently having been 
        summoned by him.  He tells her, "I need your help.  I want
        you to go to the old mill building and see what's happening
        there.  I cannot go there myself as Petofi has powers over me".
           Petofi regains consciousness.  He angrily tells Julia, "You'd
        better stop playing games with me!  You either lied to me and
        these rods are not for travelling through time, or they are and
        you deliberately mis-istructed me in their use! I found myself
        in a room awaiting an Etotsi council.  The Etotsi are the most
        vicious of the gypsy tribes".  He continues, "I don't really
        need a servant.  Do you know why I employ Aristede?  It's
        because I abhor all forms of violence.  Aristede, on the other
        hand, revels in violence.  He is quite skilled in all forms
        of torture and violence. He does all the violent work for me.
        I'll ask you one more time: Tell me the truth!"  Julia tells
        him, "I've already told you the truth.  No one has control of
        where the rods will take you".  Not liking this answer, Petofi
        tells Aristede, "She is yours to do with as you please" and
           Aristede takes Julia into the other room and ties her to
        a chair.  Beth sneaks quietly down the stairs and hears Aristede
        in the other room telling Julia, "I'm going to kill you!"  Aristede
        comes out and gets a small pistol and a roll of cord from a bureau.
        From her hiding place around a corner, Beth can see Julia in the
        other room tied to a chair.  After Aristede goes back into the
        other room and closes the doors, Beth rushes to Barnabas and tells
        him she saw Aristede holding Julia prisoner in the mill building,
        but that Petofi wasn't there.  She tells him, "You'd better hurry.
        I heard Aristede say he was going to kill Julia".  
           At the mill building, Aristede has tied the small pistol to
        a chair on the opposite side of the table from Julia.  Julia is
        at the side of the table furthest from the door, the chair with
        the gun on the closest side.  The gun is pointed squarely at
        Julia's chest.  Aristede tells Julia, "I have a devilish plan!
        I know Barnabas is smart enough to know that it was Count Petofi
        who kidnapped you, and will either come and try to rescue you,
        or send somone else to do so.  I'm setting a trap so that the
        one who tries to rescue you - hopefully, it will be Barnabas -
        will be the one who pulls the trigger and kills you".  After
        gagging Julia, he takes on end of a long length of cord and
        ties it to the trigger of the pistol.  He takes the other end
        and exits the room, closing the door, which opens outward, 
        behind him, then ties the other end to the doorknob outside.
           Barnabas comes downstairs and sees Aristede.  He tells 
        Aristede, "I know you have Julia down here.  Where is she?"
        Aristede denies that he's holding Julia.  Barnabas hears a
        sound coming from the other room.  He tells Aristede, "If
        Julia isn't here, then you won't mind if I take a look in
        the other room".  Aristede replies, "Go ahead".  Barnabas 
        opens the door, causing the cord to tighten and the gun to
        Episode 842
        Worldvision Rerun 620
        Tape Date:  September 8, 1969 (ABC #187-DRK-69)
        Air Date:   September 16, 1969 Tuesday
        Writer:     Gordon Russell
        Director:   Henry Kaplan

           Barnabas hears Aristede running up the stairs and screams
        after him, "You're a dead man, Aristede! I'll get you for this!"
        He goes to Julia and shakes her.  She regains consciousness.
        Barnbas asks her, "Is there any pain?"  Julia replies, "No,
        none at all".  They are both surprised to find that there's no
        sign of either blood or a bullet wound.  Barnabas remarks, "I
        wonder how bullet could possibly have missed".  Julia replies,
        "It didn't.  I felt it hit me".  Barnabas untiles Julia.  When
        Julia gets up out of the chair, Barnabas points to it and
        exclaims, "LOOK!" In the back of the chair is a bullet hole...
           Petofi goes to Angelique and suggests that they join forces
        and work together.  Angelique refuses.  
           Back at the mill building, Julia theorizes, "Maybe the bullet
        went though me without doing any harm because my real body is
        back in 1969 and this one is somehow a false one without any real
        substance".  Barnabas asks, "Then how can I be harmed, as has been
        demonstrated?".  Julia suggests, "Because in your case, you were
        here in 1897 so had a body to go transfer to, so your case is
        different".  Barnabas asks, "Why did you feel the bullet and lose
        consciousness, then?"  Julia replies, "It was probably psychological.
        I felt the bullet because I expected to, then lost consciousness
        due to fear".  Barnabas tells Julia that they need Angelique's
        help and tells her to get her, telling her where Angelique can
        be found.  Julia is surprised to learn that Angelique is here
        in the past too.
           Petofi returns to the cellar of the mill building and finds
        Charles Delaware Tate there.  Petofi asks, "Where's Aristede?"
        Tate replies, "I don't know.  No one was here when I got here".
        Petofi looks around and finds the gun and cords in the other
        room and realizes that Barnabas must have successfully rescued
           Julia goes to Angelique to ask for her help.  Angelique is
        surprised to see Julia in the year 1897.
           Petofi shows Charles Delaware Tate the I Ching rods and
        says, "Before you came under my tutelage, you had many friends
        who were interested in the occult.  What can you tell me about
        these?" Tate replies, "I only saw them used once.  Their use is
        unpredictable and sometimes dangerous.  The one time I saw them
        used, the woman using them went insane as a result".  Petofi
        decides that Julia must have been telling the truth.
           Angelique agrees to help with a plan Julia has apparently 
        told her.  Julia asks, "How do you plan to carry out your part?"
        Angelique replies, "You'll see" and leaves.  
           Charles Delaware Tate returns to his studio and finds Amanda
        Harris there looking at one of the pictures he had drawn of
        his "ideal woman".  He asks, "Do you believe me now?"  She
        replies, "Of course not.  I just came here to see these
        pictures.  They do indeed look like me, but that's nothing but
        a coincidence".  Tate tells her, "I'll prove it to you, then",
        and gets a sketchpad and begins to draw.  He tells her, "I'm 
        going to create a man by drawing one".  She watches him draw.
        As soon as he is finished, she screams and runs out of the
        cottage.  Standing in the room is the man Tate has just drawn...
        Episode 843
        Worldvision Rerun 621
        Tape Date:  September 9, 1969 (ABC #188-DRK-69)
        Air Date:   September 17, 1969 Wednesday
        Writer:     Violet Welles
        Director:   Henry Kaplan

           Charles Delaware Tate attempts to destroy his creation by
        tearing up the picture he drew, but the man does not disappear...
           Amanda returns to the Collinsport Inn and tells Tim about
        the strange incident at the cottage. Tim is very intrigued.
        He gets a gun and tells Amanda, "We're going to go and investigate
           At the Tate Studio, Tate tries to get the man to speak, with
        no success.  There's a knock at the door.  Tate quickly puts
        the man in to a closet and locks the door, then anwers the
        front door, letting Tim and Amanda in.  Tim tells Tate, "Amanda
        has told me what happened in here" and demands to see the man.
        Tate replies, "That's ridiculous! Perhaps Amanda needs psychiatric
        help".  Suddenly, Amanda exclaims, "LOOK!", and points to a 
        closet door.  The doorknob is turning.  Tim goes to try to open
        the door but finds it locked.  He pulls out a pistol, points
        at Tate, and demands to have the key.  Tate gives it to him.
        Tim opens the door with it and lets the man out.  Amanda screams,
        "That's the man! That's the man who was created like I was created!"
        and collapses in despair on the couch, the realization that she
        is not a "natural" person having sunk in.  Tim asks Tate, "Could
        you create someone for me?"  Tate refuses, saying, "I'm not
        going to do this anymore".  Holding the gun on Tate, Tim says,
        "In that case, I'll take this one", and leaves, taking the
        man with him.
           Beth, apparently still angry at Quentin for his apparent
        rejection of her in favor of Angelique, goes to Petofi and
        tells him, "I want to work for you now".  Petofi replies,
        "Yes, but once you agree to work for me, you'll have to
        do everything I ask, though some things might be dangerous,
        and there'll be no backing out".  Beth agrees to his conditions.
           Charles Delaware Tate proposes to Amanda, but she refuses,
        saying, "Now that I know what I am, I can neither love anyone
        nor allow anyone to love me".  She tells him, "However, I CAN
        hate, and I hate you for creating me, and for revealing to me
        what I am..."
           Petofi tells Beth that her first duty will be to help him
        experiment with the rods.  He has her shake them, then arranges 
        them in the middle of the table for her.  He tells her, "Concentrate
        and tell me exactly what you see".  Beth describes seeing the
        door, and going through it.  Suddenly, she screams, grabs a 
        letter opener lying on the table, gets up and tries to stab
        Petofi.  He manages to disarm her and demands to know what she
        saw.  She replies, "Shadows!"  Petofi asks, "Shadows of people?"
        Beth replies, "No, just shadows!!".    
           Tim is with the created man in his room at the Collinsport
        Inn.  He tries to get the man to talk, saying, "I'm sure you
        can talk, but you're afraid to". Just as he appears about to 
        succeed and the man opens his mouth, Charles Delaware Tate
        comes bursting into the room holding a pistol and exclaiming
        that he intends to destroy his creation.  A look of horror
        comes onto the created man's face.
        Episode 844
        Worldvision Rerun 622
        Tape Date:  September 10, 1969 (ABC #189-DRK-69)
        Air Date:   September 18, 1969 Thursday
        Writer:     Violet Welles
        Director:   Lela Swift

           Charles Delaware shoots and kills the poor man, then becomes
        distraught over what he's done.  Tim gives Tate a drink and
        finds Tate in a talkative mood and gets him to tell him about,
        among other things, Petofi.
           Petofi goes to Quentin's room and demands that Quentin find
        out what Barnabas and Julia's plans are.  He also demands
        that Quentin kill Barnabas, thus causing Julia to return to
        the future, revealing the secret of time travel as she does
        so.  Quentin refuses to kill Barnabas.  Petofi remarks, "You 
        seem to have forgotten my powers", shatters a drinking glass
        and cuts Quentin in the face with a shard.  Quentin screams
        and covers his face with his hands, but Petofi orders, "Take
        your hands from your face".  Quentin does.  There no wound, 
        no mark at all.  Petofi takes the cover off the portrait. 
        The face in the portrait is bleeding profusely exactly where
        Petofi had slashed Quentin...
           Charles Delaware Tate and Tim Shaw continue to talk.
           In the foyer at Collinwood, Petofi, as he is about to leave,
        notices that the portrait of Barnabas is gone, replaced by a
        mirror.  He asks Quentin, "What happened to the portrait of
        Barnabas?"  Quentin replies, "Edward had it taken down".
           Tim goes to Petofi and offers him a business deal, asking
        Petofi, "Would you like to learn how to create an immense
        army?"  Petofi replies that he would and asks how.  Tim tells
        him about Charles Delaware Tate's newly discovered powers.
        (Scene with Barnabas and Quentin I don't remember)           
           A woman (Kathryn Leigh Scott) comes to the door of Collinwood.
        She takes a deep breath and thinks to herself, "Well, here I am,
        at Collinwood", and knocks at the door.  Quentin answers.  The
        woman introduces herself as a "Lady Kathryn Hampshire", a friend of 
        Edward's, and asks to see him.  Quentin tells her that Edward
        is away for a few days, but offers to let her stay at Collinwood
        to wait his return.  
           Petofi goes to Quentin's room and learns that Quentin didn't
        managed to learn anything from Barnabas.  Petofi is angered.
           As Petofi is leaving, Lady Hampshire comes out of the drawing
        room into the foyer and runs into him.  Each seems to know and
        be surprised to see the other.  Petofi remarks, "It's too bad
        you husband died".  Lady Hampshire replies, "You left him little
        choice between death and public humiliation", then says "It's 
        stuffy in here" and storms out the front doors. 
           Lady Hampshire gets lost in the woods.  Eventually, she runs
        into Barnabas and asks him for directions back to Collinwood.  
        He gives them to her.  As she is walking away, Barnabas thinks to 
        himself, "I've found my Josette again!"
           Lady Hampshire makes it back to Collinwood and stares at
        the new mirror in the foyer.  Quentin walks into the foyer.
        Lady Hampshire says to him in a very different tone of voice,
        "Where's the portrait of Barnabas?"  Quentin, surprised, asks,
        "You've never been in this house before.  How could you know about
        the portrait of Barnabas that used to hang there?"  Lady Hampshire
        seems to snap out of it and asks, "Barnabas? Who's Barnabas?"
        Quentin, puzzled, says, "But you just asked about his portrait
        a few seconds ago".  Lady Hampshire replies, "No I didn't.
        I've never heard of anyone named Barnabas".  But as she mentions
        the name, Barnabas' face flashes through her mind...
        Episode 845
        Worldvision Rerun 623
        Tape Date:  September 11, 1969 (ABC #190-DRK-69)
        Air Date:   September 19, 1969 Friday
        Writer:     Sam Hall
        Director:   Lela Swift

           In his room, Quentin agonizes over Petofi's demand that he
        kill Barnabas.  Selfishly thinking about how awful it would
        be to become a werewolf again, he decides to do so.
           Barnabas returns to the rectory and tells Julia, "I've just
        found Josette's reincarnation.  We'll have to put aside our 
        plans for Petofi for awhile".  Julia tries to argue against this,
        but with no success (She seems to be jealous...)
           Barnabas goes to Quentin and tells him, "Your new houseguest
        is the reincarnation of my one true love".  Quentin tells 
        Barnabas about the strange incident at the mirror.  Barnabas
        replies, "Of course she knew about the portrait.  It was hanging
        there when she lived in this house 100 years ago as Josette".
        He tells Quentin to arrange a meeting for him with Lady Hampshire,
        and to come to him at sunset to tell him about it.  Quentin -
        not wanting to know Barnabas' hiding place becaue of Petofi's
        order that he kill Barnabas - tells Barnabas, "I don't want to
        do that.  I'll relay the information to Julia instead", but
        Barnabas tells him, "No, I don't want Julia to know about this.
        My hiding place is in the cave below Widow's Hill".
           Julia goes to Collinwood and tells Quentin that she's been
        through Barnabas' obsession with women he thinks are recarnations
        of Josette before, and that it always ends badly, and tries to
        enlist his aid in stopping the current obsession.  Quentin
        tells her he'll try to convince Lady Hampshire to leave
        Collinsport if possible.
           Quentin is in the drawing room, drinking and agonizing over
        the fact that he has to kill Barnabas.  Charity comes into the
        room and asks, "Why haven't you come to the Blue Whale to see
        me perform recently?"  The conversation eventually turns to
        the vampire, and Charity remarks, "I'd really like to see it
        destroyed".  Thinking he can perhaps get her to do the dirty
        work for him, he asks her, "If you knew where he was, do you
        think you could personally destroy it?" Charity replies, "Yes".
        She tells him she senses that he knows something and asks him
        what he knows about the vampire's hiding place.  Deciding against
        his idea, Quentin lies, "Nothing.  I was only speaking 
           Quentin goes to Barnabas' lair, armed with hammer and stake.
        He opens Barnabas' coffin, places the stake over Barnabas' heart,
        raises the hammer, and prepares to strike, but then flings the
        hammer and stake on the ground, unable to go through with it.
        He closes the coffin and runs off.
           Charity - apparently having followed Quentin or read his
        mind - comes into the cave.  She picks up the hammer and stake,
        opens Barnabas, places the stake over Barnabas heart, and
        hammers it in...
        Episode 846
        Worldvision Rerun 624
        Tape Date:  September 12, 1969 (ABC #191-DRK-69)
        Air Date:   September 22, 1969 Monday
        Writer:     Sam Hall
        Director:   Lela Swift

           Charity goes to the Blue Whale, looking for a drink.  Tim Shaw,
        who's there also, notices that Charity is acting very strangly
        and asks her, "What's the matter?"  She replies, "I've destroyed
        the vampire! I've killed Barnabas Collins!"  Tim, looking dubious
        of her claim, asks, "How did you manage to find his hiding place
        when the Collins family and everyone else has failed?"  She tells
        him about following Quentin, seeing him come back out of the cave,
        finding Quentin's hammer and stake in the cave - Quentin apparently
        having been unable to go through with it-  and staking Barnabas 
        with it.  Tim suggests, "Maybe you can get a reward from the 
        Collinses", but Charity replies, "I don't want a reward".
           Edward returns to Collinwood and is delighted to find Kitty
        Hampshire there.  He asks her, "How's your husband George?"
        Kitty replies that he's dead.  Edward asks, "How did it happen?"
        Kitty replies, "I've lied to everyone else that it was a heart
        attack, but since you and George were such good friends, I'll
        tell you the truth. It was suicide".  She gives Edward a
        pair of her late husbands cufflinks, saying, "I know how much
        you always admired them.  He would have wanted you to have them"
           Edward comes down into the drawing room and finds Tim and
        Charity there.  He asks, "What do you want?"  Tim replies, "We
        have some news that will interest you.  Barnabas is dead" 
        Edward is doubtful.  Tim tells him, "Come to the cave with me
        and see for yourself".  Edward leaves with Tim.
           Kitty comes downstairs into the foyer and meets Charity there.
        After some small talk, Charity tells Kitty, "Come down to the
        Blue Whale and see my act if this house ever becomes too much
        for you.  I can sing, dance, and I have some clairvoyant powers. 
        Here.  I'll demonstate by telling you what I know about you".
        She concentrates and tells Kitty, "I hear music"  Kitty replies,
        "I don't hear anything".  Charity hums the music she hears -
        it's Josette's music.  Kitty remarks, "I don't recognize it".
        Charity continues, "Now I see a music box, a very old music
        box".  Kitty remarks, "I don't own a music box.  I never have".
        Charity warns her, "You will, and you must destroy it or it
        will cause your death".  Kitty is, needless to say, dubious...
           In the cave below Widow's Hill, Edward opens the coffin and
        finds Barnabas staked in there.  He tells Tim, "I'm going to
        have this coffin chained and this cave sealed forever!".
           Edward and Tim return to Collinwood.  They find Charity in
        the foyer pestering Kitty about the music box.  Charity sees
        Edward and asks, "Did you see it?"  Edward replies, "Yes".
        Tim takes Charity into the drawing room.  Edward apologizes
        to Kitty about Charity, saying, "She's sick.  She needs help".
           Edward goes into the drawing room to discuss Barnabas.
        Edward asks Charity, "Is what Tim told me true? Did you follow
        Quentin to that cave? Did you find the hammer and stake there
        with Barnabas unharmed, Quentin apparently having gone there to 
        destroy Barnbas but finding himself unable to do it?"  Charity 
        replies, "Yes".  Edward wonders, "I wonder why Quentin didn't 
        come to me".  He offers to get Charity help, but Charity refuses
        it, saying, "I like myself the way I am".  Tim tells Edward,
        "I'll keep this quiet.  For a price..."  Edward asks what the
        price is.  Tim replies, "Oh, not much.  Just a favor now and
           Upstairs in her room, Kitty is writing a letter to her
        mother in which she says, "Things are going just as I had
        planned at Collinwood. Things are looking up..." She goes into
        suitcase to get a stamp.  When she returns to the writing
        desk, she notices a music box there.  She picks it up and
        recalls Charity's warning about a music box.  She lifts
        the lid of the music box and is shocked to hear that it plays
        the very tune Charity had hummed...
        Episode 847
        Worldvision Rerun 625
        Tape Date:  September 16, 1969 (ABC #192-DRK-69)
        Air Date:   September 23, 1969 Tuesday
        Writer:     Gordon Russell
        Director:   Lela Swift

           To curry favor with Petofi, Tim Shaw goes to him and tells
        him about Barnabas.  Petofi nonchalantly says, "My condolences
        to the family". Tim is surprised by Petofi's lack of reaction
        and accuses him of having something to do with Barnabas' 
        destruction and already knowing about it.  Petofi denies it.
        Tim tells Petofi that it was Charity who destroyed Barnabas.
        Petofi, seemingly genuinely surprised at this, says, "I'll have
        to send her some flowers" and leaves.  Tim remarks to Beth,
        who's also there, "You seem saddened by news of Barnabas'
        death".  Beth denies it.
           Petofi goes to the rectory and tells Julia, "Barnabas is
        dead".  He adds, "I had nothing to do with it.  Charity Trask
        did it".  He tells her, "You are now alone in an alien world
        and will soon have to return to your own time.  I will be 
        accompanying you..."
           At Collinwood, Amanda goes into the drawing room and tells
        Quentin that maybe it isn't such a good idea for them to 
        be seeing each other behind everyone's back and maybe they
        should stop.  Quentin says no, and, overcome by passion, they
        kiss.  They are interrupted when Petofi comes into the room
        and compliments Quentin on his choice of women.  Petofi tells
        Quentin he'd like to speak to him in private, and Amanda leaves.
        Petofi asks Quentin about Amanda.  Quentin tells Petofi that
        he plans to marry her.  Petofi asks, "What about your engagement
        to Angelique?"  Quentin replies, "I intend to break it".  Petofi
        remarks, "You like to live dangerously! I compliment you on
        your courage.  I'd like to see Angelique's fury when you tell her".  
        He then congratulates Quentin on his resourcefulness in having
        Charity Trask kill Barnabas.  Quentin replies, "I had nothing to
        do with that", but Petofi doesn't believe him, thinkling Quentin
        is just trying to ease his conscience.  He tells him, "I now
        have another assignment for you..." Quentin refuses, saying,
        "I not going to do anything more for you".  Petofi "gently"
        reminds Quentin, "You COULD revert to becoming a werewolf
        again, and if you do, pretty little Amanda might become one
        of your victims".  Quentin reluctantly agrees to follow
        orders.  Petofi tells Quentin that his next assignment is
        to watch Julia day and night.  After Petofi leaves, Amanda
        tells Quentin, "I've seen that man before.  I find him 
        frightening".  Quentin remarks, "You have good reason to".
        Amanda asks, "What did he want?"  Quentin angrily slaps
        the window frame and replies, "More than I'm willing to
        give him!", and tells her he plans to leave Collinsport,
        and asks her to go with him and marry him.
           Tim goes to Petofi again.  Petofi tells Tim that he knows he
        came this morning to curry favor with him, but it'll take more
        than just telling him that Barnabas is dead to do that.  He
        tells him, "There is a way win my favor, however".  He tells Tim
        about the rods and tells him he needs someone to help him experiment
        with them.  Tim appears willing, and Petofi leaves the room
        to get the rods.
           Julia goes to Collinwood and asks Quentin if he's heard about
        Barnabas.  Quentin replies that he has, and suggets that they
        both leave now to get away from the danger Petofi poses.  He
        tells her, "I'm planning to do just that - leave Collinwood.
        Perhaps it would be best for you to return to your own time".
        Julia refuses, saying, "I want to finish Barnbas' work here.
        Petofi won't harm me.  He wants to follow me back into the
           At the mill building, Petofi places the rods on a table
        and instructs Tim on their use.  Tim concentrates on the
        rods and sees the door.  The door opens, and Tim sees Amanda
        in the drawing room of Collinwood.  Suddenly, a hooded figure
        comes into the room and starts to strangle her.  Amanda manages
        to pull the hood back, revealing a masked figure.  The figures
        lets Amanda go briefly to remove the mask, then resumes
        strangling her.  It is Quentin...
        Episode 848
        Worldvision Rerun 626
        Tape Date:  September 15, 1969 (ABC #193-DRK-69)
        Air Date:   September 24, 1969 Wednesday
        Writer:     Gordon Russell
        Director:   Lela Swift

           Tim goes to Collinwood and sneaks into Amanda's room.  He tells
        her to leave Collinwood because she's in danger there, that if she
        stays, Quentin will kill her. She asks, "How do you know this?"
        He replies, "You wouldn't believe me if I told you.  Just do as
        I say and leave!".  She refuses.  Noting the strking contrast
        between her reluctance to leave Collinwood now with her reluctance
        to come to Collinwood before, he accuses her of having fallen
        in love with Quentin. She admits that this is true.  He tells her,
        "You shouldn't have. Quentin doesn't know what you are, he doesn't
        know that you could vanish at any time".  She asks, "What do
        you mean?"  Tim replies, "Charles Delaware shot and killed the
        man he created.  After it died, it vanished into nothing..."
        (Scene with Amanda and Quentin I can't remember)
          Charles Delaware Tate comes and says he wants to talk to
        Amanda.  Quentin tells him, "Amanda's not in the mood to talk
        right now".  Tate is insistent.  Amanda comes out of the drawing
        into the foyer and tells Tate, "Quentin is right.  I'm in no
        mood to talk to youright now" and runs upstairs.  Tate tells
        Quentin about his strange power to create things by drawing them,
        and tells him Amanda is one of his creations.  Quentin does not
        believe this.  Tate reminds Quentin about the portrait he had
        painted of him, saying, "The curse was tranferred from you to it",
        citing it as proof of his powers, and adds, "Should it ever be 
        destroyed, the werewolf curse will return to you".  Quentin does
        not believe Tate is responsible for removing the curse from him,
        saying, "That's Petofi's doing".
           Tate sneaks upstairs into Amanda's room and tells her, "I've
        told Quentin about you".  After Tate leaves, Amanda takes out
        a suitcase and begins to pack.  Quentin comes in and asks,
        "Why are you packing?"  She replies, "I'm leaving because Tate
        told me he told you about his creating me".  Quentin replies,
        "Yes he did, but I didn't believe a word of that ridiculous
        claim".  He asks her again to go away with him.  She replies
        that she will.  He tells her they will leave on the 6:00 train
        tomorrow, and suggests that to be safe, she leave Collinwood
        now and hide at the old rectory till then.
           Tate, jealous, sneaks into Quentin's room and steals the
        portrait, thinking to himself, "If this were destroyed, Quentin
        would become a werewolf again!"
        Episode 849
        Worldvision Rerun 627
        Tape Date:  September 14, 1969 (ABC #194-DRK-69)
        Air Date:   September 25, 1969 Thursday
        Writer:     Sam Hall
        Director:   Lela Swift

           Kitty goes to the mill building and accuses Petofi of staging
        what happened at Collinwood, Charity's clairvoyant reading, the
        music box, everything.  She tells him, "I know your methods!
        They won't work! You won't be able to frighten me away from 
        Collinwood!"  She takes out the music box and puts it on a table.
        Petofi picks it up, plays it, and replies, "I'm not behind any of
        this.  I've never seen this music box before".  At first she 
        doesn't believe him, citing a similar ploy he used on a woman
        at Hampshire Hall, her old home, but Petofi eventually manages
        to convince her he had nothing to do with the music box, that
        perhaps it was given to her by a secret admirer at Collinwood,
        perhaps Quentin.  She picks up the music box, and once again ???
           Quentin goes to the rectory and asks if Amanda could stay
        there for one day.  He tells Julia, "We're planning to leave
        Collinsport on the 6:00 train tomorrow."  He again suggests
        to Julia that she leave too and return to her own time.
        Again, Julia refuses, saying she wants to stay and finish
        Barnabas' work.
           Beth, at the mill building, hears a noise downstairs.  She
        goes to investigate and finds that Aristede has returned.
           Kitty shows Quentin the music box and asks him if he gave it
        to her.  He replies that he didn't.  She tells him, "I can tell
        from the look on your face that you recognize it".  Quentin replies,
        "It looks like one I've seen before, but it couldn't be the same
        one".  Kitty asks, "Where did you see it?" Quentin replies, "It
        was owned by someone who used to live at the old house".  Kitty
        says, "You mean Barnabas Collins, the vampire?", totally shocking
        Quentin.  Quentin asks, "How did you know about that?"  Kitty
        replies, "I overheard you talking about it".  He remarks, "It
        doesn't matter that you know now he's dead".  Kitty remarks,
        "I think I met him the first night I was here".
           Petofi returns to the mill building.  Seeing Aristede there,
        he slaps him and remonstrates him for being away for so long.
        Aristede apologizes, saying he was frightened because of Barnabas'
        vow to kill him.  Petofi adds, "I'm also angry because you bungled
        your last assignment - to kill Julia".  Aristede protests, "But I
        didn't!".  Petofi asks, "Then you saw her die?"  Aristede replies,
        "No, but she must have".  He explains what he did, and says, "I
        saw Barnabas open the door, and I heard the gun fire.  The gun
        was aimed right at her heart. It couldn't have missed!"  He takes
        Petofi into the other room to show him how he had things set up.
        He sees the bullet hole in the chair Julia had been tied to and
        exclaims, "LOOK!".  Petofi rushes out, realizing that something
        important occured.
           In the rectory, Julial is preparing an injection (why? Barnabas
        is dead!).  There's a knock on the door, and Julia quickly hides
        it.  She answers the door.  Petofi comes in.  He remarks, "It's
        very cold tonight.  Would you mind if I poured myself a drink?"
        Julia replies, "Be my guest".  Petofi pours two drinks - poisoning
        one - and gives the poisoned one to Julia.  They drink.  Petofi
        then tells Julia, "You've just drunk enough poison to kill ten
        women".  But nothing happens.  Julia tells Petofi, "Nothing
        can happen to me here because my real body is in 1969. This
        is just some sort of projection".  
           Petofi returns to the mill building and tells Beth about
        Julia.  Beth asks, "How was it possible for Barnabas to be
        destroyed, then?"  Petofi compliments her, "You're very
        perceptive", then explains to her, "Barnabas was born in the
        1700's, so had a body to come back to in 1897.  When I go to
        the future, I will have one to go to too".  He opens the cabinet
        and asks her to look into the future for him.  She sees - and
        describes to him - a vision of the drawing room at Collinwood,
        furnished differently than it is now, lit by "strange" lights.
        Quentin, dressed in strange clothing, steps into the room, 
        carrying a gun, "different from ours" (an automatic).  She
        remarks that Quentin seems very angry.
           After the vision stops, Petofi passes his hand over her face
        and causes her to forget everything that's just happened.
        Episode 850
        Worldvision Rerun 628
        Tape Date:  September 18, 1969 (ABC #195-DRK-69)
        Air Date:   September 26, 1969 Friday
        Writer:     Sam Hall
        Director:   Henry Kaplan

           Trask returns to Collinwood and finds that Amanda is missing.
        He asks Quentin where she is, accusing him of having something
        to do with her disappearance.  Quentin denies this and says
        he doesn't know where Amanda is.
           Charles Delaware Tate gloats over the portrait of Quentin,
        thinking to himself, "I now have control over Quentin!".  But
        then a worrisome thought crosses his mind - what will Quentin
        do when he finds the portrait missing?
           Nora goes to Quentin's room and finds him packing to leave.
        She asks, "How long will you be gone?"  Quentin replies, "I don't
        know".  He goes to get the portrait, but finds that it's missing.
        He writes a letter to Amanda telling her that's there's been
        a delay, that they won't be able to leave on the 6:00 train
        and asks her to wait at the rectory for him.  He seals it and
        asks Nora to deliver it for him.
           Trask catches Nora as she is about to exit Collinwood, and
        asks her, "Where are you going in this weather? It's rainng".
        She tells him some sort of lie.  They get into an argument and
        Nora runs out the door.
           Quentin goes to Charles Delaware Tate and tells him, "Someone
        has stolen the portrait. It could only have been one of two
        people who did it - you or Petofi.  I've already gone to see
        Petofi and he doesn't have it, so it must be you!"  Quentin
        starts to search the studio for the portrait.  Tate tries
        to stop him.  A furious fight ensues.  Quentin eventually
        manages to grab a bottle and hits Tate over the head with it,
        knocking him out, then continues searching the studio.
           Trask, who's run out after Nora, finally catches her in
        the woods.  He sees the letter she's carrying and takes it
        from her.
           Amanda is all packed up.  There's a knock at the door.
        It's Trask.  He tells her, I know all about her plans to
        run off with Quentin".  He warns her against doing so, saying,
        "You're giving in to your weakness for the wrong men, just as
        you did before".  Amanda replies, "There was no before! It
        was all part of a plan!"  Trask, knowing from the note that
        Quentin will not be meeting Amanda at the train station at
        6:00 but that Amanda does not know it, not having seen the note,
        he lies to her, "Quentin is toying with you!  When I left
        Collinwood, I saw him with Angelique laughing about you".
           Quentin, unable to find the portrait, leaves Tate's studio
        and goes to the rectory.  He fidns Nora there.  She tells him
        about Trask taking the letter from her.  Quentin leaves for
        the station.
           Amanda is waiting on the train platform.  The 6:00 train
        Episode 851
        Worldvision Rerun 629
        Tape Date:  September 17, 1969 (ABC #196-DRK-69)
        Air Date:   September 29, 1969 Monday
        Writer:     Violet Welles
        Director:   Henry Kaplan

           Quentin rushes to the train station.  He sees a woman
        who looks like Amanda standing on the platform and grabs her
        by the shoulder.  But it is not Amanda.  Quentin asks, "Has
        the 6:00 train for New York left yet?"  The woman replies,
        "Yes. That's was the train I got off of".
           Petofi goes to Charles Delaware Tate and asks, "Did Quentin
        find the painting?"  At first, Tate feigns ignorance and pretends
        not to know what Petofi is talking about, but Petofi tells him,
        "I know it was you who stole the painting", and eventually Tate
        admits this.  He shows Petofi where he's hidden it - right on
        the easel, facing backwards with another canvas wedged into
        the back, which visible, so that it looks like it's an empty
        canvas waiting to be worked on on the easel.  Petofi tells
        Tate that he intends to punish him for stealing the portrait,
        then remarks, "I understand how it must feel to have your ideal
        woman run off with another man.  I too have an ideal woman".
        He asks Tate to draw her for him.  Not knowing that Petofi 
        knows about his strange power, Tate tries to beg off, saying,
        "I can't read minds, and I can't tell what your ideal woman looks 
        like just from a description".  But Petofi insists that he try, 
        and Tate, seeing no way out, draws, from Petofi's description,
        a picture of a "raven-haired woman with cat-like eyes". Tate 
        nervously waits for something to happen, but nothing does.
        Petofi remarks, "It's so beautiful that I am almost persuaded
        not to punish you". He grasps both of Tate's hands, then takes
        the picture of the woman and leaves.  Tate wonders, "What did
        he do to me?" and tries to paint something, but finds that he
           Tim returns to Collinwood and shows Quentin a note left
        by Amanda saying she's leaving, and tells him that she returned
        the brooch he, Tim, gave her.  He asks Quentin about Amanda's
        whereabouts and finds that he doesn't know where she is either.
        Quentin asks Tim for information about Amanda's past in New
        York, saying it might help him find her, but Tim refuses to
        tell him, so Quentin, a much larger man physically, pushes
        Tim around and physically intimidates him to force the
        information out of him.  Tim finally tells Quentin that he knows
        little about Amanda's past in New York, only that she had lived
        at the Huntington Hotel there.  Quentin opens the door and throws
        Tim out (literally). Angelique, who's just come into the foyer,
        asks, "Why are you treating Tim so roughly?"  Quentin replies,
        "I'm interested in his plans".  Angelique asks, "What plans?"
        Quentin replies, "They would be of no interest to you".
        Angelique disagrees, "All your plans are of interest to me.
        Especially your marriage plans", and asks him to set a date.
        Quentin replies, "I can't right now.  I have to go to Boston
        on to take care of some business matters. I'll set a date when 
        I return".  Angelique asks, "Since when have you become so interested 
        in business?" Quentin replies, "Ever since I saw how much money Tim 
        Shaw made in business.  That was what we were arguing about.  Tim
        gave me some business information I believe to be false, and 
        I'm going to Boston to check it out".  He then excuses himself,
        saying he has to go pack, and goes upstairs.
           Petofi goes to Tim Shaw and tells him what happened when
        Tate drew the woman - absolutely nothing.  He tells Tim, "You
        must have been mistaken".  Tim tells Petofi about Amanda leaving.
        Petofi promises to take care of the matter for him.
           Petofi goes to Collinwood.  He happens to run into Angelique
        there and maliciously tells her about Quentin and Amanda's plans.
        Furious, Angelique storms out.  When Quentin comes down the
        stairs into the foyer, all packed and ready to leave, he runs
        into Petofi.  Petofi tells him, "I know where you're going.  You
        may go, with my blessings", then adds, "Distance won't make any
        difference to my plans regarding you..."
           At the trains station, the New York train arrives. Quentin
        is about to get on it when he hears Angelique's voice behind
        him say, "You told me you were going to Boston.  That's the
        train for New York".  She then tells him, "I know all about
        you and Amanda, and your plans to go away together", then 
        warns him, "You'd better not get on that train!".  Quentin
        replies, "I'm not frightened by your threats.  I don't care
        what happens to me anymore.  I'll get on that train even if
        you threaten to kill me".  Angelique replies, "Don't worry.
        I would never do anything to harm you".  She then pulls out
        a doll and Amanda's brooch, which she must have gotten from 
        Tim, and tells him, "But if you get on that train, I'll thrust
        the pin from this brooch into this doll and kill Amanda!"
        Episode 852
        Worldvision Rerun 630
        Tape Date:  September 19, 1969 (ABC #197-DRK-69)
        Air Date:   September 30, 1969 Tuesday
        Writer:     Violet Welles
        Director:   Henry Kaplan

           Quentin remarks, "I guess I have no choice", and doesn't
        get on the train.  
           At Collinwood, Kitty goes into the drawing room and asks
        Edward if he would like to take a walk with her.  He replies,
        "I'd like to, but I can't.  I'm waiting for an important phone
           Kitty goes out on her walk alone.  While walking in the
        woods, she hears the crunching of footsteps nearby and calls
        out, "Who is it?"  Receiving no answer, she becomes frightened
        and runs back to Collinwood and tells Edward someone was stalking
        her in the woods.  Quentin and Angelique come in through the
        front doors.  Edward remarks, "Oh, you two haven't met yet",
        but just as he is about to introduce Kitty and Angelique to
        one another, Kitty looks at Angelique and exclaims, "You're
        the own who was stalking me! You've always been after me!",
        grabs Angelique by the throat and starts strangling her.  Edward
        manages to tear Kitty away from Angelique.  Kitty snaps out of
        it and, sounding very confuses, asks, "What happened?"  When
        told, she apologizes for her odd behavior, saying she doesn't
        know what came over her.  Edward takes her upstairs. Quentin and
        Angelique go into the drawing room.  Angelique demands that Quentin 
        set a time for their wedding, demanding that it be sometime this week.  
        Quentin says, "I'll delay it as long as possible!" and tells her 
        it'll be a week from tonight.
           Edward and Kitty talk about what happened downstairs.  Edward
        tries to assure Kitty that her odd behavior is nothing more than
        the effects of stress caused by her husband's death.  He gently
        tells her, "I'll do whatever I can to help you".  After Edward
        leaves, a strange smile appears on Kitty's face...
           Edward goes down into the drawing room.  Angelique gleefully
        tells Edward, "Quentin and I have decided to marry in a week!"
        Edward congratulates them, then asks to speak to Quentin alone.
        Angelique leaves.  Edward, noticing Quentin's coldness to Angelique,
        tells Quentin, "I notice you've been rather brusque and rude to
        Angelique", and remonstrates him for the way he's been treating his
        fiancee.  Quentin replies, "That's none of your business".  Edward
        asks, "I know you found Barnabas with the intention of destroying
        him.  Why didn't you?"  Quentin replies, "For the same reason you
        didn't shoot him with silver bullets when you found him and decided
        instead to let the sun destroy him instead, thus giving him the chance
        to escape - I couldn't bring myself to do it".  Edward remarks, "I'm
        a fairly good judge of character.  I'm not sure I believe your
        answer. It's not like you".  Quentin retorts, "You're probably
        not as good a judge of character as you think you are, judging
        by the way you've misjudged Kitty".  Edward asks, "What do you
        mean by that?",  but Quentin refuses to tell him, saying, "I'll
        just let you find out by yourself".
           Kitty has a dream in which Angelique appears to her as her
        servant, calling her, "Mademoiselle".  Angelique gives her
        a nosegay and a book, saying, "He gave these to you so you
        wouldn't forget him".  Kitty replies, "Oh, but I would never
        forget him!", then takes the gifts.  She looks at the book and
        finds that it's "Poems and Songs by Robert Burns".  She notices
        that there's a bookmark in it and opens it to the marked page.
        She remarks, "How did you know that was my favorite?", and
        starts to read it.  
          Kitty awakens, puzzled by the dream.  Then she sees that the
        nosegay and the book are lying on the table...

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